Advice is a form of nostalgia.
BAZ LUHRMANN- Australia, to the rest of the world, is just far away, and Australia in the Thirties was the faraway of the faraway.
BAZ LUHRMANN
- black
- grey
- blue
- red
- brown
- white
Australia, to the rest of the world, is just far away, and Australia in the Thirties was the faraway of the faraway.
More Baz Luhrmann Quotes
-
Advice is a form of nostalgia.
BAZ LUHRMANN -
I feel a kinship with anyone who feels that their road, their life or who they really are is not good enough. I really relate to that.
BAZ LUHRMANNI feel a kinship with anyone who feels that their road, their life or who they really are is not good enough. I really relate to that.
BAZ LUHRMANN -
Everything I make starts very personally.
BAZ LUHRMANNEverything I make starts very personally.
BAZ LUHRMANN -
There’s a whole system in Hollywood where the director never speaks to the studio, but I like to engage them in a discussion. I listen.
BAZ LUHRMANNThere’s a whole system in Hollywood where the director never speaks to the studio, but I like to engage them in a discussion. I listen.
BAZ LUHRMANN -
The cold-audition process is not a science, so I ignore that.
BAZ LUHRMANNThe cold-audition process is not a science, so I ignore that.
BAZ LUHRMANN -
In the ’80s, everyone wanted to be in opera. It was groovy.
BAZ LUHRMANNIn the ’80s, everyone wanted to be in opera. It was groovy.
BAZ LUHRMANN -
I feel like a member of any group comprised of outsiders.
BAZ LUHRMANN -
Australia, to the rest of the world, is just far away, and Australia in the Thirties was the faraway of the faraway.
BAZ LUHRMANNAustralia, to the rest of the world, is just far away, and Australia in the Thirties was the faraway of the faraway.
BAZ LUHRMANN -
I always have a point of view. It may not be right, but it’s my own.
BAZ LUHRMANNI always have a point of view. It may not be right, but it’s my own.
BAZ LUHRMANN -
All good, clean stories are melodrama, it’s just the set of devices that determines how you show or hide it.
BAZ LUHRMANNAll good, clean stories are melodrama, it’s just the set of devices that determines how you show or hide it.
BAZ LUHRMANN -
The ugly duckling is a misunderstood universal myth. It’s not about turning into a blonde Barbie doll or becoming what you dream of being; it’s about self-revelation, becoming who you are.
BAZ LUHRMANNThe ugly duckling is a misunderstood universal myth. It’s not about turning into a blonde Barbie doll or becoming what you dream of being; it’s about self-revelation, becoming who you are.
BAZ LUHRMANN -
So, what is creative freedom? We can make what we want, how we want. The only constraint is: not for any budget.
BAZ LUHRMANNSo, what is creative freedom? We can make what we want, how we want. The only constraint is: not for any budget.
BAZ LUHRMANN -
I really believe musical form will go on. There’s got to be a way of making musical form in cinema live again.
BAZ LUHRMANNI really believe musical form will go on. There’s got to be a way of making musical form in cinema live again.
BAZ LUHRMANN -
You really think that on my films people tell me what to do? I don’t think so. On my films I decide.
BAZ LUHRMANNYou really think that on my films people tell me what to do? I don’t think so. On my films I decide.
BAZ LUHRMANN -
In terms of the mechanics of story, myth is an intriguing one because we didn’t make myth up; myth is an imprinture of the human condition.
BAZ LUHRMANNIn terms of the mechanics of story, myth is an intriguing one because we didn’t make myth up; myth is an imprinture of the human condition.
BAZ LUHRMANN -
Accept certain inalienable truths.
BAZ LUHRMANNAccept certain inalienable truths.
BAZ LUHRMANN


