Don’t worry about the future.
BAZ LUHRMANNAll good, clean stories are melodrama, it’s just the set of devices that determines how you show or hide it.
More Baz Luhrmann Quotes
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I always have a point of view. It may not be right, but it’s my own.
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At a very young age I was allowed to go into the cinema and watch adult films.
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Some of the greatest relationship films of all time, the two stars have hated each other, but mostly you see that chemistry.
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To be honest, there is a tourists’ trail; my family had a farm and a gas station, and you can go and see my birthplace, though where I lived is actually under a freeway now.
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I never see things I make in the same way that the audience does. You can never do that.
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My father made sure that I had lots of levels of education – from ballroom-dancing to painting, commando training, theatre and magic.
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Australia, to the rest of the world, is just far away, and Australia in the Thirties was the faraway of the faraway.
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I mean the future has become old fashioned.
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The cold-audition process is not a science, so I ignore that.
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In terms of the mechanics of story, myth is an intriguing one because we didn’t make myth up; myth is an imprinture of the human condition.
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One of my great all-time loves in cinema, and I’ve seen it three times, is Bondarchuk’s ‘War and Peace.’ Not a lot of people may have seen that film. It was made during the Soviet era.
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I feel like a member of any group comprised of outsiders.
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When I was growing up you would see big American films that really mythologised their landscape, that really showed the vastness and the drama of their country.
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I do find walking is fundamental to my creative process.
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The party is a true art form in Sydney and people practise it a great deal. You can really get quite lost in it.
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I think dance in any culture, in any form, is a true leveler.
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Your choices are half chance, so are everybody else’s.
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The food in Sydney is an Asian Pacific cuisine. It’s eclectic but above all it’s fresh, inventive and creative and that’s what I love about it.
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Be careful whose advice you buy, but be patient with those who supply it.
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When you’re in theater or the circus or film – to me it’s all one – affairs happen. People fall in love.
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Everything I make starts very personally.
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Trust yourself that you can do it and get it
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A life lived in fear is a life half lived.
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I’ve always loved the old epics that tell a simple emotional story, whether it’s the tumultuous relationship between Rhett and Scarlett or Lawrence of Arabia’s passion to get lost in a faraway place.
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So, what is creative freedom? We can make what we want, how we want. The only constraint is: not for any budget.
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All good, clean stories are melodrama, it’s just the set of devices that determines how you show or hide it.
BAZ LUHRMANN