I thought a great line in the What Just Happened movie said, “We’re just the mayonnaise.”
BARRY LEVINSONThey’re intimidating the networks and levying these fines, so the networks are not sure of what they can or can’t do.
More Barry Levinson Quotes
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I think it’s a promising time which will show a lot of diversification that we’ve seen in the past.
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I do know when you look at some ballplayer and all of a sudden he is the size of a truck something is wrong.
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I don’t know that you can do an absurdist film and just have everybody embrace it in terms of filling out cards. I just don’t think it happens. So you have to prepare an audience.
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I would give the cameras to the kids in the swimming pools and they would play with them, and then I would collect them and we would upload it. If you’re in the process, you’re there.
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We’re never going to be the ultimate-insider look. You can do 50 insider looks at this Hollywood business, and the satire didn’t intrigue me. I think others can do that.
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The interesting thing about movies, it’s not always – y’know, you have to have structure etc and all those things, but an audience responds, in many ways, we walk away and certain things stay in our heads that are memorable.
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I got a chance to work with Mel Brooks on two of his films: Silent Movie and High Anxiety.
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I’ve had a lot of movies that didn’t get great numbers on test screening, but a lot of times the film was able to survive, or the studio still stayed and supported it.
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I always think that there is the good and the bad of it all.
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A lot of time mistakes are very interesting – you look for the behaviour that’s not the one you expect.
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I’m fascinated by documentaries, to begin with. Because of the nature of television, as opposed to theatrical, documentaries can be in this long form and take you on a journey.
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They’re intimidating the networks and levying these fines, so the networks are not sure of what they can or can’t do.
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Even back in the ’90s, I shot certain things on something that wasn’t digital then, but it was on VHS with a smaller camera and we would up it to film.
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There’s no downside to having too much experience.
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Studios just sometimes make decisions on their own that you’re always flabbergasted by. It just happens that way for whatever reason – not even pointing fingers, it just is.
BARRY LEVINSON