I think it’s a promising time which will show a lot of diversification that we’ve seen in the past.
BARRY LEVINSONI thought a great line in the What Just Happened movie said, “We’re just the mayonnaise.”
More Barry Levinson Quotes
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They’re intimidating the networks and levying these fines, so the networks are not sure of what they can or can’t do.
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First of all, just to get Diner made would have been an achievement in that I got a chance to direct.
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We’re never going to be the ultimate-insider look. You can do 50 insider looks at this Hollywood business, and the satire didn’t intrigue me. I think others can do that.
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Even back in the ’90s, I shot certain things on something that wasn’t digital then, but it was on VHS with a smaller camera and we would up it to film.
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Studios just sometimes make decisions on their own that you’re always flabbergasted by. It just happens that way for whatever reason – not even pointing fingers, it just is.
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I think we are seeing a radical shift in the business in general. The studios are making much more of the real big extravaganzas and there are other kinds of films that are coming out. I think you are going to begin to see more diversification that we’ve seen in the past.
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I would give the cameras to the kids in the swimming pools and they would play with them, and then I would collect them and we would upload it. If you’re in the process, you’re there.
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I don’t know that you can do an absurdist film and just have everybody embrace it in terms of filling out cards. I just don’t think it happens. So you have to prepare an audience.
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Some actors are supposed to be very difficult, but I’ve not found that to be the situation.
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I think test screening works at its best when the audience knows what it’s getting.
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A lot of time mistakes are very interesting – you look for the behaviour that’s not the one you expect.
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I thought a great line in the What Just Happened movie said, “We’re just the mayonnaise.”
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I do know when you look at some ballplayer and all of a sudden he is the size of a truck something is wrong.
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As soon as digital editing came about, I immediately made the switch to digital.
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I got a chance to work with Mel Brooks on two of his films: Silent Movie and High Anxiety.
BARRY LEVINSON