Studios just sometimes make decisions on their own that you’re always flabbergasted by. It just happens that way for whatever reason – not even pointing fingers, it just is.
BARRY LEVINSONStudios just sometimes make decisions on their own that you’re always flabbergasted by. It just happens that way for whatever reason – not even pointing fingers, it just is.
BARRY LEVINSONI think certain movies work and that is part of the magic of it all. We can’t truly define why something succeeds.
BARRY LEVINSONNo one really has the power, and everybody’s trying to get through the day, and everybody’s nervous and desperate.
BARRY LEVINSONYou don’t always have to have the ending, but you want to have a satisfactory conclusion.
BARRY LEVINSONI don’t know that you can do an absurdist film and just have everybody embrace it in terms of filling out cards. I just don’t think it happens. So you have to prepare an audience.
BARRY LEVINSONI would give the cameras to the kids in the swimming pools and they would play with them, and then I would collect them and we would upload it. If you’re in the process, you’re there.
BARRY LEVINSONA lot of time mistakes are very interesting – you look for the behaviour that’s not the one you expect.
BARRY LEVINSONThere’s no downside to having too much experience.
BARRY LEVINSONWe’re never going to be the ultimate-insider look. You can do 50 insider looks at this Hollywood business, and the satire didn’t intrigue me. I think others can do that.
BARRY LEVINSONYou do understand that you can’t force the situation, but in terms of how you edit, you can define that to take the audience along, whether it be a storyline or a character moment that we can play out. The more experience you’ve had, the more beneficial it is, period.
BARRY LEVINSONYou have a movie and it proves itself and then certain things happen.
BARRY LEVINSONI’m fascinated by documentaries, to begin with. Because of the nature of television, as opposed to theatrical, documentaries can be in this long form and take you on a journey.
BARRY LEVINSONFirst of all, just to get Diner made would have been an achievement in that I got a chance to direct.
BARRY LEVINSONI play around with human things, human relationships and that, and allow that kind of talk to work in that way, on that level.
BARRY LEVINSONI got a chance to work with Mel Brooks on two of his films: Silent Movie and High Anxiety.
BARRY LEVINSONI’ve had a lot of movies that didn’t get great numbers on test screening, but a lot of times the film was able to survive, or the studio still stayed and supported it.
BARRY LEVINSON