I do know when you look at some ballplayer and all of a sudden he is the size of a truck something is wrong.
BARRY LEVINSONCraig Nelson who is an actor and is in a show called Coach in the United States. We began to do some improvisational stuff and we used to get laughs and things.
More Barry Levinson Quotes
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The interesting thing about movies, it’s not always – y’know, you have to have structure etc and all those things, but an audience responds, in many ways, we walk away and certain things stay in our heads that are memorable.
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When I began to think about the head of the family, the storyteller, the rise of television which became the new storyteller, the break-up of the American family as an idea and then Avalon came.
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All I try to do is create an atmosphere that seems comfortable enough, that it removes tension and everyone feels free. If they feel free then behaviour happens, small moments happen and that’s what ultimately works the best for me.
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I don’t know that you can do it as a satire. I mean, the business is crazy enough as it is. It’s like doing Wag The Dog – we took a thing that was almost completely absurd on one level, and then ultimately those things came about.
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I’m fascinated by documentaries, to begin with. Because of the nature of television, as opposed to theatrical, documentaries can be in this long form and take you on a journey.
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A lot of time mistakes are very interesting – you look for the behaviour that’s not the one you expect.
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They’re intimidating the networks and levying these fines, so the networks are not sure of what they can or can’t do.
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Even back in the ’90s, I shot certain things on something that wasn’t digital then, but it was on VHS with a smaller camera and we would up it to film.
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I’ve had a lot of movies that didn’t get great numbers on test screening, but a lot of times the film was able to survive, or the studio still stayed and supported it.
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You do understand that you can’t force the situation, but in terms of how you edit, you can define that to take the audience along, whether it be a storyline or a character moment that we can play out. The more experience you’ve had, the more beneficial it is, period.
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There was a time when I said, “I’m going to go do a television thing,” after doing all these theatrical films, and heard, “Television? Why are you going to go back to television?” It’s an interesting place.
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I play around with human things, human relationships and that, and allow that kind of talk to work in that way, on that level.
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I think it’s a promising time which will show a lot of diversification that we’ve seen in the past.
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It’s always hard to explain why an audience ultimately responds to a movie.
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I got a chance to work with Mel Brooks on two of his films: Silent Movie and High Anxiety.
BARRY LEVINSON






