Even back in the ’90s, I shot certain things on something that wasn’t digital then, but it was on VHS with a smaller camera and we would up it to film.
BARRY LEVINSONI don’t know that you can do an absurdist film and just have everybody embrace it in terms of filling out cards. I just don’t think it happens. So you have to prepare an audience.
More Barry Levinson Quotes
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You do understand that you can’t force the situation, but in terms of how you edit, you can define that to take the audience along, whether it be a storyline or a character moment that we can play out. The more experience you’ve had, the more beneficial it is, period.
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I think it’s a promising time which will show a lot of diversification that we’ve seen in the past.
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Ronald Reagan was this actor who was going to be president, and he was very charming. What he had was, he talked about America in ways that got people all caught up in it. He was creating this America – it could even be the mythical “America” – that we subscribe to.
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I do know when you look at some ballplayer and all of a sudden he is the size of a truck something is wrong.
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I don’t know that you can do it as a satire. I mean, the business is crazy enough as it is. It’s like doing Wag The Dog – we took a thing that was almost completely absurd on one level, and then ultimately those things came about.
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I think test screening works at its best when the audience knows what it’s getting.
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Craig Nelson who is an actor and is in a show called Coach in the United States. We began to do some improvisational stuff and we used to get laughs and things.
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I thought a great line in the What Just Happened movie said, “We’re just the mayonnaise.”
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I think we are seeing a radical shift in the business in general. The studios are making much more of the real big extravaganzas and there are other kinds of films that are coming out. I think you are going to begin to see more diversification that we’ve seen in the past.
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First of all, just to get Diner made would have been an achievement in that I got a chance to direct.
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A lot of time mistakes are very interesting – you look for the behaviour that’s not the one you expect.
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When I began to think about the head of the family, the storyteller, the rise of television which became the new storyteller, the break-up of the American family as an idea and then Avalon came.
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It’s always hard to explain why an audience ultimately responds to a movie.
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You don’t always have to have the ending, but you want to have a satisfactory conclusion.
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As soon as digital editing came about, I immediately made the switch to digital.
BARRY LEVINSON