I never really wanted to be an actor. And that was the beginning of it, I began to write things down and eventually became a writer on a television show.
BARRY LEVINSONNo one really has the power, and everybody’s trying to get through the day, and everybody’s nervous and desperate.
More Barry Levinson Quotes
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I would give the cameras to the kids in the swimming pools and they would play with them, and then I would collect them and we would upload it. If you’re in the process, you’re there.
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I do know when you look at some ballplayer and all of a sudden he is the size of a truck something is wrong.
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I’ve had a lot of movies that didn’t get great numbers on test screening, but a lot of times the film was able to survive, or the studio still stayed and supported it.
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There’s no downside to having too much experience.
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Craig Nelson who is an actor and is in a show called Coach in the United States. We began to do some improvisational stuff and we used to get laughs and things.
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I think we are seeing a radical shift in the business in general. The studios are making much more of the real big extravaganzas and there are other kinds of films that are coming out. I think you are going to begin to see more diversification that we’ve seen in the past.
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I don’t know that you can do it as a satire. I mean, the business is crazy enough as it is. It’s like doing Wag The Dog – we took a thing that was almost completely absurd on one level, and then ultimately those things came about.
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I play around with human things, human relationships and that, and allow that kind of talk to work in that way, on that level.
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I got involved with an acting school and studied for a couple years. They used to have improv exercises that you would work on and you would do improvs.
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All I try to do is create an atmosphere that seems comfortable enough, that it removes tension and everyone feels free. If they feel free then behaviour happens, small moments happen and that’s what ultimately works the best for me.
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They’re intimidating the networks and levying these fines, so the networks are not sure of what they can or can’t do.
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I always think that there is the good and the bad of it all.
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I think test screening works at its best when the audience knows what it’s getting.
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When I began to think about the head of the family, the storyteller, the rise of television which became the new storyteller, the break-up of the American family as an idea and then Avalon came.
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I don’t know that you can do an absurdist film and just have everybody embrace it in terms of filling out cards. I just don’t think it happens. So you have to prepare an audience.
BARRY LEVINSON