I do know when you look at some ballplayer and all of a sudden he is the size of a truck something is wrong.
BARRY LEVINSONI would give the cameras to the kids in the swimming pools and they would play with them, and then I would collect them and we would upload it. If you’re in the process, you’re there.
More Barry Levinson Quotes
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I never really wanted to be an actor. And that was the beginning of it, I began to write things down and eventually became a writer on a television show.
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Some actors are supposed to be very difficult, but I’ve not found that to be the situation.
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I don’t know that you can do it as a satire. I mean, the business is crazy enough as it is. It’s like doing Wag The Dog – we took a thing that was almost completely absurd on one level, and then ultimately those things came about.
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Studios just sometimes make decisions on their own that you’re always flabbergasted by. It just happens that way for whatever reason – not even pointing fingers, it just is.
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When I began to think about the head of the family, the storyteller, the rise of television which became the new storyteller, the break-up of the American family as an idea and then Avalon came.
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They’re intimidating the networks and levying these fines, so the networks are not sure of what they can or can’t do.
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I play around with human things, human relationships and that, and allow that kind of talk to work in that way, on that level.
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I think it’s a promising time which will show a lot of diversification that we’ve seen in the past.
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I think certain movies work and that is part of the magic of it all. We can’t truly define why something succeeds.
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I’m fascinated by documentaries, to begin with. Because of the nature of television, as opposed to theatrical, documentaries can be in this long form and take you on a journey.
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You don’t always have to have the ending, but you want to have a satisfactory conclusion.
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A lot of time mistakes are very interesting – you look for the behaviour that’s not the one you expect.
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I don’t know that you can do an absurdist film and just have everybody embrace it in terms of filling out cards. I just don’t think it happens. So you have to prepare an audience.
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As soon as digital editing came about, I immediately made the switch to digital.
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I think we are seeing a radical shift in the business in general. The studios are making much more of the real big extravaganzas and there are other kinds of films that are coming out. I think you are going to begin to see more diversification that we’ve seen in the past.
BARRY LEVINSON