I think we are seeing a radical shift in the business in general. The studios are making much more of the real big extravaganzas and there are other kinds of films that are coming out. I think you are going to begin to see more diversification that we’ve seen in the past.
BARRY LEVINSONI’ve had a lot of movies that didn’t get great numbers on test screening, but a lot of times the film was able to survive, or the studio still stayed and supported it.
More Barry Levinson Quotes
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I always think that there is the good and the bad of it all.
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A lot of time mistakes are very interesting – you look for the behaviour that’s not the one you expect.
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I think when Sarah Palin opened her mouth and started talking, the more she talked, the less appealing she became.
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I got involved with an acting school and studied for a couple years. They used to have improv exercises that you would work on and you would do improvs.
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I would give the cameras to the kids in the swimming pools and they would play with them, and then I would collect them and we would upload it. If you’re in the process, you’re there.
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We’re never going to be the ultimate-insider look. You can do 50 insider looks at this Hollywood business, and the satire didn’t intrigue me. I think others can do that.
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The interesting thing about movies, it’s not always – y’know, you have to have structure etc and all those things, but an audience responds, in many ways, we walk away and certain things stay in our heads that are memorable.
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No one really has the power, and everybody’s trying to get through the day, and everybody’s nervous and desperate.
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I think certain movies work and that is part of the magic of it all. We can’t truly define why something succeeds.
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I never really wanted to be an actor. And that was the beginning of it, I began to write things down and eventually became a writer on a television show.
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Studios just sometimes make decisions on their own that you’re always flabbergasted by. It just happens that way for whatever reason – not even pointing fingers, it just is.
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When I began to think about the head of the family, the storyteller, the rise of television which became the new storyteller, the break-up of the American family as an idea and then Avalon came.
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You have a movie and it proves itself and then certain things happen.
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I got a chance to work with Mel Brooks on two of his films: Silent Movie and High Anxiety.
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There was a time when I said, “I’m going to go do a television thing,” after doing all these theatrical films, and heard, “Television? Why are you going to go back to television?” It’s an interesting place.
BARRY LEVINSON