I like suggesting that ‘we are slaves to the objects around us,’ that ‘plenty should be enough,’ or that the ‘buyer should beware,’ within the context of conventional selling space.
BARBARA KRUGERIt’s hard for me to understand how working-class people support themselves.
More Barbara Kruger Quotes
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All the gossip and craziness becomes a kind of sustained narrative which, in turn, can become history. It’s scary.
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What I’m trying to do is create moments of recognition.
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the art world has always been an unrelenting taste machine, but now flavors of the month have morphed into flavors of the minute. Again, all a reflection of a wider cultural condition. I mean, the art world is slow compared with the music and movie businesses.
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It’s hard for me to understand how working-class people support themselves.
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I’ve always been very tied to language.
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I just say I’m an artist who works with pictures and words.
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I have no complaints, except for the world.
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Listen: our culture is saturated with irony whether we know it or not.
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If I bring up political power, personal power, it sounds like they’re my terms, and they’re not.
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Although my art work was heavily informed by my design work on a formal and visual level, as regards meaning and content the two practices parted ways.
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But I really resist categories – that naming is a closing down of meaning. Women’s art, political art – those categorisations perpetuate a certain kind of marginality which I’m resistant to. But I absolutely define myself as a feminist.
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It entered the visual vocabulary of photographers, painters and sculptors and focused on what pictures and words look like and what they can mean.
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Direct address has been a consistent tactic in my work, regardless of the medium that I’m working in.
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Prominence is cool, but when the delusion kicks in it can be a drag. Especially if you choose to surround yourself with friends and not acolytes.
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Do you know why language manifests itself the way it does in my work? It’s because I understand short attention spans.
BARBARA KRUGER