I think I developed language skills to deal with threat. It’s the girl thing to do-you know, instead of pulling out a gun.
BARBARA KRUGERProminence is cool, but when the delusion kicks in it can be a drag. Especially if you choose to surround yourself with friends and not acolytes.
More Barbara Kruger Quotes
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I don’t necessarily think that installation is the only way to go. It’s just a label for certain kinds of arrangements.
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I have frequently said, and I will repeat again, in the manner of any well-meaning seriality, that I’m interested in mixing the ingratiation of wishful thinking with the criticality of knowing better.
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I had to figure out how to bring the world into my work.
BARBARA KRUGER -
I work with pictures and words because they have the ability to determine who we are, what we want to be and what we become.
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I think there are lots of ways to make good work. You can throw big bucks at a project and make what some would call crap, or you can work very modestly with eloquently moving results.
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I’ve always thought that it’s good to watch the news to find out what everybody else is looking at and believing, if only because that’s how consensus is constructed.
BARBARA KRUGER -
Things change and work changes. Right now I like the idea of enveloping a space and getting messages across that connect to the world in ways that seem familiar but are different.
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Warhol’s images made sense to me, although I knew nothing at the time of his background in commercial art. To be honest, I didn’t think about him a hell of a lot.
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I’d always been a news junkie, always read lots of newspapers and watched the Sunday morning news shows on TV and felt strongly about issues of power, control, sexuality and race.
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There’s a moment of recognition. It’s that white-light kind of stuff that just “works.” I love that. And you know it when it happens, whether it’s a movie, music, a building, a book.
BARBARA KRUGER -
I’m an artist who works with pictures and words. Sometimes that stuff ends up in different kinds of sites and contexts which determine what it means and looks like.
BARBARA KRUGER -
Images are made palpable, ironed flat by technology and, in turn, dictate the seemingly real through the representative.
BARBARA KRUGER -
I think what I’m trying to do is create moments of recognition. To try to detonate some kind of feeling or understanding of lived experience.
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What makes the production of my work so expensive? The whole installation thing – the construction, the objects, the technology. It really adds up.
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I’m trying to engage issues of power and sexuality and money and life and death and power. Power is the most free-flowing element in society, maybe next to money, but in fact they both motor each other.
BARBARA KRUGER