You make history when you do business.
BARBARA KRUGERMoney talks. It makes art. It determines what food we eat, whether we are cured or die, and what shoes we wear.
More Barbara Kruger Quotes
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I think pictures and words have the power to make us rich or poor.
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As with the Princess Di crash, which sent the media on the most insane feeding frenzy. From the moment of the crash, the pornography of sentiment never let up.
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There are so many moments and works that influence us in what we do. Movies, music, TV and, most importantly, the profound everydayness of our lives.
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Images are made palpable, ironed flat by technology and, in turn, dictate the seemingly real through the representative.
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I think people have to set up little battles. They have to demonize people whom they disagree with or feel threatened by. But it’s the ideological framing of the debate that scares me.
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I feel uncomfortable with the term public art, because I’m not sure what it means. If it means what I think it does, then I don’t do it. I’m not crazy about categories.
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I think I developed language skills to deal with threat. It’s the girl thing to do-you know, instead of pulling out a gun.
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Memory is your image of perfection.
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If I bring up political power, personal power, it sounds like they’re my terms, and they’re not.
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I like suggesting that ‘we are slaves to the objects around us,’ that ‘plenty should be enough,’ or that the ‘buyer should beware,’ within the context of conventional selling space.
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I had to figure out how to bring the world into my work.
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All the gossip and craziness becomes a kind of sustained narrative which, in turn, can become history. It’s scary.
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Direct address has been a consistent tactic in my work, regardless of the medium that I’m working in.
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It’s really hard for me to use the term ‘history’ in the singular, because it suggests a reductivist view of how moments and events congeal and reflect the passage of time. I’d rather stick to the pluralness of ‘histories’ in order to suggest the simultaneity, the parallel forces at work, which produce lived experience.
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I don’t necessarily think that installation is the only way to go. It’s just a label for certain kinds of arrangements.
BARBARA KRUGER