Touring is really a weird social experiment, even though everyone thinks it’s a party every day.
BABATUNDE ADEBIMPEI want to be around these positive, expressive people who are doing something different and who also want to get the hell out of there and don’t want to be around basic human bullshit.
More Babatunde Adebimpe Quotes
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My father was a psychiatrist and a social worker but he was a very talented painter and musician and writer on the side.
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You have to be a really talented writer if you’re trying to encapsulate a news story with a song and have it live after the event. I don’t have the focus to do that, really.
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If anybody won life, David Bowie did, at least as a creative entity in the sense of writing yourself into existence and writing yourself out in such a graceful swoop.
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I like the model of people getting together to make something when they want to do it and not being dictated to by a cycle.
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Regarding race or gender or sexuality, one of the great things about art and music is that they can provide people with very little else in common with a similar entry point for discussion, but the discussions still need to happen for life to get more interesting.
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When I’m in the mode of feeling positive about love, I don’t really feel the need to mark it down in song. In fact, I know what that song would sound like, and I would not subject anybody to that.
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There was something in me, even leaving fifth grade, that hit me and said, “I have to get out of here. I don’t know where, and I don’t know what else I can do but I’m really not going to end up like any of these people.”
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The feeling of being halfway through a show and just realizing that there’s nothing you can do to save it – it’s a horrible feeling.
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I feel like people just let each other live a little more in New York.
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You can physically move yourself around but there’s that great line that Adam wrote: “Does it define for life, like print of thumb?” I think it does.
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I want to be around these positive, expressive people who are doing something different and who also want to get the hell out of there and don’t want to be around basic human bullshit.
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One second you’re having the time of your life in front of all these people, and then you come backstage to the exact opposite – there’s only lukewarm carrots back there.
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It’s insane when someone shows up to your show and is like, “You could run off with me right now!” I’m like, “It’s cool, I think I’m gonna go read.”
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Adding instruments to parts of a song and having them somehow find a pocket. That to me was a huge lesson. Like, there’s more than 808s in the universe.
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I was living in a loft with Dave Sitek – this loft full of people just working on their stuff. Some were painting, some were writing. Any plans you had were kind of like a plan for the next two months.
BABATUNDE ADEBIMPE