You turn into this desperate dude looking for a shred of attention when you just had so much. It’s like, “I’m just lonely and all I really want is a hug, but I gotta capture that in something real gross.” You start to understand why circus clowns are alcoholics.
BABATUNDE ADEBIMPETen years is a pretty good run for anything.
More Babatunde Adebimpe Quotes
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There are a lot of spikes that can happen when what you’re doing starts to get attention or people start to talk about it. They can just kind of really do a number on your reasons for making music.
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One second you’re having the time of your life in front of all these people, and then you come backstage to the exact opposite – there’s only lukewarm carrots back there.
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It’s insane when someone shows up to your show and is like, “You could run off with me right now!” I’m like, “It’s cool, I think I’m gonna go read.”
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I’ve had terrible, terrible, terrible shows where I just thought, “That was off-key” or I forgot lines or I thought I looked like an idiot, and then you’re leaving and talking to people, and they’re like, “I had the best time of my life! That was amazing!” You just never know.
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You can physically move yourself around but there’s that great line that Adam wrote: “Does it define for life, like print of thumb?” I think it does.
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I feel like now if you’re going to start a band you have to have an Instagram full of yourself looking a certain way, lined up like five dudes in mugshot alley, hanging out by the bridge or up against the wall, or “We’re in a library for some reason!”
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Touring is really a weird social experiment, even though everyone thinks it’s a party every day.
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There was something in me, even leaving fifth grade, that hit me and said, “I have to get out of here. I don’t know where, and I don’t know what else I can do but I’m really not going to end up like any of these people.”
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I feel like people just let each other live a little more in New York.
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I probably couldn’t have the same experience listening to that song because I’m self-conscious about some of my singing parts.
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Regarding race or gender or sexuality, one of the great things about art and music is that they can provide people with very little else in common with a similar entry point for discussion, but the discussions still need to happen for life to get more interesting.
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Most of the bands that I really hold in my heart – you don’t think about them as bands; they’re just the soundtrack of your life.
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I want to be around these positive, expressive people who are doing something different and who also want to get the hell out of there and don’t want to be around basic human bullshit.
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Hearing that [David] Bowie passed was like you don’t really believe it. It’s as if the sky shifted a little bit, to remind you it was there.
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I was living in a loft with Dave Sitek – this loft full of people just working on their stuff. Some were painting, some were writing. Any plans you had were kind of like a plan for the next two months.
BABATUNDE ADEBIMPE