I love a film where I get squished by two dumpsters or I fly through the air.
ALAN CUMMINGA sweaty Macbeth with blood on his arms coming in fresh from the battle doesn’t interest me.
More Alan Cumming Quotes
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I’m not a fan of Twitter.
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It’s hardly ever done, compared to how often it’s done in other companies, not just Britain. Someone from the Roundabout Theater Company – I said, “You never do Shakespeare.” And he said, “Yes, we’re not very good at it.” And I thought, “What a terrible thing to say.”.
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I actually find in America, there’s a slight snobbery about actors who go back and forth between big heavy dramas and popcorn fare. That always intrigues me, because that doesn’t exist in the same way in Britain. And I imagine it would be worse.
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You do get really exhausted doing films. You work such long hours, and after a while, things can get out of perspective, just like if anyone’s tired, things get on top of them.
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I was horrified when Richard Chamberlain and Rupert Everett said gay actors should stay in the closet. They were saying to people that they should live a lie and not be liberated, to live in fear of being found out.
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I usually can find a way to do a character to make it real and work. But sometimes it’s a struggle sustaining that, because there’s such a level of personal involvement and personal, physical, and emotional distraughtness.
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I think American actors are much more intimidated by Shakespeare. I actually want to do this Shakespeare play in New York, but I think it’s interesting that there’s this gaping hole in the repertoire in the American theater, which is Shakespeare.
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Usually, there’s a story I’ve told that leads up to why I’m singing the song. The whole concept of the show was about being authentic and connecting with these songs. The best way to do that was in a room with an audience and for people to listen to that.
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If you are a cabaret artist and you are mostly singing other people’s songs, you’re asking them to rethink a song, listen to it in a different way. The most impact you can have while asking them to re-listen to a song is if it’s a song they know very well.
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I like the tragedies way more than the comedies because they’re so universal.
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I’m quite good, though I say it myself, at making strangers feel at ease.
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Romeo is the most misunderstood character in literature, I think. He’s hardcore to play because he’s displaying the characteristics of Hamlet at the beginning, and, well, then everything else happens.
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Macbeth was the first play I ever read.
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So if I’m swirling around on some wires, talking to Fred Flintstone, I make it the funnest I can. I also want to be good at it. I don’t want to be a crap cartoon character. I want to be proud I’m a vitamin!
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It is not hard to feel like an outsider. I think we have all felt like that at one time or another.
ALAN CUMMING