I like the tragedies way more than the comedies because they’re so universal.
ALAN CUMMINGI’m Scottish first, and it’s odd to hear that I’m a Scottish-American.
More Alan Cumming Quotes
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I come more to Scotland than I ever used to, so I feel more connected to it, more part of the zeitgeist. You know when you realize you have a choice and I’m choosing my homeland. It’s funny: when you get older these things creep up to you.
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My feeling about work is it’s much more about the experience of doing it than the end product. Sometimes things that are really great and make lots of money are miserable to make, and vice versa.
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If you are a cabaret artist and you are mostly singing other people’s songs, you’re asking them to rethink a song, listen to it in a different way. The most impact you can have while asking them to re-listen to a song is if it’s a song they know very well.
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I usually can find a way to do a character to make it real and work. But sometimes it’s a struggle sustaining that, because there’s such a level of personal involvement and personal, physical, and emotional distraughtness.
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I had to be a grown-up when I should have been a little boy, and now that I’m a grown-up my little-boyness has exploded out of me. I’ve lived my life backwards.
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Actors aren’t stupid, mostly, and if there’s a sensibility and an aesthetic that a director’s going for, if you’re aware of that too, you can do things to help that.
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For example, Americans seem reluctant to take on Shakespeare because you don’t think you’re very good at it – which is rubbish. You’re missing out here.
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I’m not a fan of Twitter.
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I always think about a little gay boy in Wisconsin or a little lesbian in Arkansas seeing someone like me, and if I cannot be open in my life, how on earth can they?
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I think American actors are much more intimidated by Shakespeare.
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With all this stuff going on, with the “Don’t ask, don’t tell” and things like that, we are second-class citizens, definitely.
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Often for me, if I hear a song I know, it clicks for me and I hear it in a different way and I think, “I could sing that song. I’ve got something to say about that song. Wanting to connect with an audience and wanting them to rethink songs.
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I don’t feel I’m a compulsive person. I multitask. I’m really well-organised, and I have lots of people to help me.
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When there’s an adult person who’s scaring you, you grow up pretty quickly.
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Performing a one-man Macbeth feels like the greatest challenge.
ALAN CUMMING