In my first year at drama school, I did this kids’ show called ‘Let’s See.
ALAN CUMMINGIn my first year at drama school, I did this kids’ show called ‘Let’s See.
More Alan Cumming Quotes
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I like working on things that are very different and that involve different disguises.
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In terms of the sort of class, and the sort of snobby, slightly on the back-foot thing Britain has. But it’s much more prevalent in America.
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Sometimes people get really sniffy about the films you choose if you’ve done more dramatic projects or you’re classically trained.
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Finally, the scariest thing about abuse of any shape or form, is, in my opinion, not the abuse itself, but that if it continues it can begin to feel commonplace and eventually acceptable.
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Most people will never know anything beyond what they see with their own two eyes.
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So if I’m swirling around on some wires, talking to Fred Flintstone, I make it the funnest I can. I also want to be good at it. I don’t want to be a crap cartoon character. I want to be proud I’m a vitamin!
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I think American actors are much more intimidated by Shakespeare.
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I’m not a fan of Twitter.
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I started to itch to do a play again and ‘Macbeth’ came to the surface in my mind. I never thought I would do it in a conventional way. A sweaty Macbeth with blood on his arms coming in fresh from the battle doesn’t interest me.
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It’s actually quite a good ethos for life: go into the unknown with truth, commitment, and openness and mostly you’ll be okay.
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It’s really rare for film directors to be that interested in things other than themselves.
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You could then, when you lay that as the groundwork, say, “Here I am. This is what I think. I come in peace.” Then you’re able to push out, to be able to talk about more things. And that’s been a really heartening thing about my life, actually.
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You can feel it coming and you can see where it is going to take you but you are powerless, utterly powerless to stop it. I know now.
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I don’t avoid anyone but I always think some people hate me.
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Nowadays people don’t know how to handle it if all the ends aren’t tied up and they’re not told what to think in films. And if they’re challenged, they think it’s something wrong with the film.
ALAN CUMMING