It is actually important to do songs they’re familiar with. Also, I love those songs. In a way, I think I’ve changed people’s perceptions of what a cabaret show like this could be.
So if I’m swirling around on some wires, talking to Fred Flintstone, I make it the funnest I can. I also want to be good at it. I don’t want to be a crap cartoon character. I want to be proud I’m a vitamin!
Finally, the scariest thing about abuse of any shape or form, is, in my opinion, not the abuse itself, but that if it continues it can begin to feel commonplace and eventually acceptable.
I always think about a little gay boy in Wisconsin or a little lesbian in Arkansas seeing someone like me, and if I cannot be open in my life, how on earth can they?
If the president of the country is not actually saying something, allowing equality to happen, how could you expect to counsel kids not to bully other kids?
Romeo is the most misunderstood character in literature, I think. He’s hardcore to play because he’s displaying the characteristics of Hamlet at the beginning, and, well, then everything else happens.
