There is a longing for a return to a time without the need for choices, free of the regret at the inevitable loss that all choice (however wonderful) has entailed.
ALAIN DE BOTTONSo many complaints boil down to the belly ache of the fragile, mortal, ignored ego in a vast and indifferent universe.
More Alain de Botton Quotes
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Our capacity to draw happiness from aesthetic objects or material goods in fact seems critically dependent on our first satisfying a more important range of emotional or psychological needs, among them the need for understanding, for love, expression and respect.
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The problem is if you really believe in a society where those who merit to get to the top, get to the top, you’ll also, by implication … believe in a society where those who deserve to get to the bottom also get to the bottom and stay there.
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Memory is… similar to anticipation: an instrument of simplification and selection.
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True respectability stems not from the will of the majority but from proper reasoning.
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One kind of good book should leave you asking: how did the author know that about me?
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The finest proof of our loyalty toward one another was our monstrous disloyalties towards everyone else.
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We each appear to hold within ourselves a range of divergent views as to our native qualities.. And amid such uncertainty, we typically turn to the wider world to settle the question of our significance.. we seem beholden to affections of others to endure ourselves.
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Do you love me enough that I may be weak with you? Everyone loves strength, but do you love me for my weakness? That is the real test.
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Serious journalists often imagine society is adrift because people don’t know certain things.
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What I want to argue for is not that we should give up on our ideas of success, but that we should make sure that they are our own. We should focus in on our ideas and make sure that we own them, that we’re truly the authors of our own ambitions.
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Our sadness won’t be of the searing kind but more like a blend of joy and melancholy: joy at the perfection we see before us, melancholy at an awareness of how seldom we are sufficiently blessed to encounter anything of its kind.
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It is striking how much more seriously we are likely to be taken after we have been dead a few centuries.
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To one’s enemies: “I hate myself more than you ever could.
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The moment we cry in a film is not when things are sad but when they turn out to be more beautiful than we expected them to be.
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We are like an exquisite high-speed aircraft which for lack of a tiny part is left stranded beside the runway, rendered slower than a tractor or bicycle.
ALAIN DE BOTTON