Kind of wish I was dead. Maybe, I’ll blow my brains out, mama, or maybe I’ll go bowling.
AL YANKOVICPop culture’s gotten much more disposable.
More Al Yankovic Quotes
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So that was a joke that I continue up to this very day.
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I try to pick songs that I actually like because I realize that I have to live with these songs for a long time, from when I’m working on them in the studio to possibly playing them onstage for the rest of my life.
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I make charts of songs that are good candidates, good targets, so to speak.
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When I go to my live shows it’s often a multigenerational audience, a family bonding experience.
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By the time I’m in the studio recording my parody, 10,000 parodies of that song are on YouTube.
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What kind of morons do you have working at newspapers in Austin that would base an entire review of an artist’s performance on whether or not they had a good seat?
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There are a lot of songs that would ostensibly be a good candidate for parody, yet I can’t think of a clever enough idea.
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You fake something until you’re good at it.
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I’ve done a movie and a TV series, and someday I’d like to do a successful movie and a successful TV series. That would be nice.
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I think that nerds, if you want to call them that, have only gotten more hip and assimilated into the culture.
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I like the guitar-driven music of Nirvana at its peak. At that point, I thought there was a lot of really exciting music coming out.
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It doesn’t take a military genius to see we’ll all be crispy critters after World War III.
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I think that was the genesis of my polka medleys, because every rock song I played on the accordion just sounded like a polka and my friends thought it was funny.
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It’s hard to really articulate what the parameters are that make one song parody-able and another song not, but if I can come up with a good enough idea for it, I go for it, and if not, then I have to move on.
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Not any specific one, but I was a huge fan of Frank Jacobs, I guess he wrote the plurality of the song parodies for MAD, Sam Hart, a few others, but that was also where I was first exposed to the art form of song parodies.
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