A lot of actors choose parts by the scripts, but I don’t trust reading the scripts that much.
AL PACINOI understand the directors much more. I was always rebelling against them when I was a youngster, I didn’t want to be told what to do. I had no identification.
More Al Pacino Quotes
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So I’ve been doing everything that has to do with being next to them, close to them.
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One of the things that made me want to be an actor more than ever was seeing a Chekhov play, “The Sea Gull,” when was 14 in the Bronx.
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That’s the way to live – around people who care. It may be a tough ride, but something is going to come out of it.
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The reasons you have for doing a movie will vary with the way your life is going. There was a time when a made a some movies because I felt I needed to work.
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I was playing a part of someone dealing dope on a street corner – and there was a guy actually dealing heroin right there. I looked at him, he looked at me, and I got real confused.
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My grandfather was a provider. Work, any kind of work, was the joy of his life.
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There’s something to learn from it. I’ve had movies that have failed colossally, so you kind of analyze your failures.
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I don’t need bodyguards. I’m from the South Bronx.
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When my mother got home from work, she would take me to the movies.
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I’m not a violent person, never was, but I have this temperament that I’ve always displayed.
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[Oscar Wilde’s Salome screenplay] is not autobiographical in a sense where you go to my house and see my kids and stuff like that, but that’s why I guess it’s semi-autobiographical.
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Actually, the person I related to was James Dean. I grew up with the Dean thing. Rebel Without A Cause had a very powerful effect on me.
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The hardest thing about being famous is that people are always nice to you.
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And then you go back like a few days later and then you listen to the movie. And it sort of plays in your mind like a film, like a first rough cut of a movie.
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Waiting around and doing these lines over and over and finally having to go in and loop the lines and dub them.
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