I’m always on a red carpet . . . the other day I thought, this ain’t bad. You can meet people on it.
AL PACINOThere’s something to learn from it. I’ve had movies that have failed colossally, so you kind of analyze your failures.
More Al Pacino Quotes
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Their minds, the way in which they se the world is so striking, the way they juxtapose things, the way they can see humor in people. There’s a liberation in that.
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I could work and get to know him and have him help me with the text, the script and become him. It’s almost like a painter having a model to become.
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Learning (Shakespeare’s plays) …in school was a bit of a bore.
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I always had this thing, when I was younger especially, I didn’t want to do movies that much.
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I’m more comfortable in a play. In film, there’s always a certain sense of control, of holding back.
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If I find something and feel as though I can contribute to [it] in a way and feel I’m in it, whatever that means.
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The interesting thing about this is I don’t know what my vision [ in Salome the play and Salomaybe] is yet about.
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Any project that I find encouraging that isn’t attached to a studio, I can go to them, which I definitely would. You have to take an interest in what you do.
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My early career was a real rush of movies and stardom – it was almost overwhelming.
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When I was younger, I would go to auditions to have the opportunity to audition, which would mean another chance to get up there and try out my stuff.
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I don’t care if it’s a walk in the park, a look out the window, a good bubble bath – whatever. Even a meal you like, or a friend you want to call. That helps us solve all this stuff in our head.
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The only thing in this world that gives orders is balls.
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I never saw myself as a director. It’s certainly a second language but making movies for 40 years, you pick stuff up. However, this style of making movies, this documentary style, is easier for me because I gather a lot of material and with an editor, write it on screen. You try to write based on what you shot.
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That was the first thing I was struck by, not by the acting, not by anything else, but by the physicality.
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I destroy it because it’s no longer coming from my unconscious.
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