You need some insecurity if you’re an actor. It keeps the pot boiling. I haven’t yet started to think about retiring.
AL PACINOEither we heal now, as a team, or we will die as individuals.
More Al Pacino Quotes
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Sometimes you’re fighting corporations and forget that people can talk to each other.
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There was once a great actor named George C. Scott. He was on stage in the Delacourt Theater in Central Park, where they do Shakespeare every summer, and he was playing Shylock in The Merchant of Venice.
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There is only one way of surviving all the early heartbreaks in this business. You must have a sense of humor. And I think it also helps if you are a dreamer. I had my dreams all right. And that is something no one can ever take away.
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Actually, the person I related to was James Dean. I grew up with the Dean thing. Rebel Without A Cause had a very powerful effect on me.
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Early on in my career, I remember running – fleeing – to the theater as a way of coping with all the meshugaas that was going on for me.
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Read it to the class and then afterward we would talk and I would answer questions. It was really a way of expressing and finding out about where I was at that particular time, so it was very therapeutic for me.
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There is something to the repeats. I think that is part of what is healthy to young actors. Get out and learn something just through doing that, repeating.
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What he does with it, that’s something else, but he’s got it all. The talent, the instrument is there, that’s why he has endured.
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I’m naturally shy but I’ve done this [movie Salomaybe] so much and you get better at it than you would think.
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Women have always had equal importance onstage, and working with them must have altered my sensibilities.
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My movies are always being played on television, I’m very well known and all that stuff.
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I am more alive in the theater than anywhere else, but what I take into the theater I get from the streets.
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Their minds, the way in which they se the world is so striking, the way they juxtapose things, the way they can see humor in people. There’s a liberation in that.
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Drinking and smoking grass were a part of my life as far back as I can remember.
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I think what you see [in Salome the play backstage] is an artist having this fit of temperament.
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I believe in one day at a time; you’ve got TODAY, that’s what you’ ve got.
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It turned out that time doesn’t heal the wound , but in its so merciful way , blunts the edges ever so slightly
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The physical stamina [in Revolution]. I was just shocked by it. I didn’t think I had it in me ever, and I wasn’t terribly young when I did it. I was in my early forties.
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I don’t care if it’s a walk in the park, a look out the window, a good bubble bath – whatever. Even a meal you like, or a friend you want to call. That helps us solve all this stuff in our head.
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When my mother got home from work, she would take me to the movies.
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You’ve got to think of things as an opportunity. An audition’s an opportunity to have an audience.
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I had these little babies [my twins] and it gave me something so spectacular, such a feeling – I was so turned on and so excited by them that I wrote a poem.
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My best advice to any young person is, if you want kids, be careful who you have them with. That’s my mantra.
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The hardest thing about being famous is that people are always nice to you.
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Learning (Shakespeare’s plays) …in school was a bit of a bore.
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I’d probably have the same pause if you asked me what my strengths are. Maybe they’re the same thing.
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