“Either we heal now, as a team, or we will die as individuals.”

I used to say I wanted to genuflect to a woman, put her up on a pedestal higher and higher, way up beyond my grasp…Then I’d find another one.

I haven’t encouraged [Julia Marie Pacino] or discouraged her. I let her go her own way.

That’s where humour lives for me. In the body. The Steve Martin kind of stuff or Jim Carrey, that’s what I like. I’ve always felt that’s what I would like to do.

When [Julia Marie Pacino] was 5 or 6 years old, we were in an Italian restaurant, and these people came by the table and they would start talking to me, asking me for my autograph and she just went under the table.

I was watching Revolution, and the things I did in that picture, holy smokes! I can’t believe I did that, it’s like another person. It’s the thought of it, it’s just appalling to me.

I understand the directors much more. I was always rebelling against them when I was a youngster, I didn’t want to be told what to do. I had no identification.

Shakespeare’s plays are more violent than ‘Scarface.’

The only thing in this world that gives orders is balls.

Many years ago, in the late ’70s, I toured colleges along the East Coast and I presented a kind of show where I got a lot of books and poetry and pieces of [William] Shakespeare and other writers that I admire.

The actor becomes an emotional athlete.

I’m more comfortable in a play. In film, there’s always a certain sense of control, of holding back.

Sometimes you feel critics are wrong all the time, but I don ‘t take objection to it, because that’s the way it goes. They can be wrong, they can be right. They can be cruel, they can be kind.

When you perform with a live audience, the audience comes back to you.

Really, I didn’t know my dad very well. He and my mother split up after the war. I was raised by my maternal grandmother and grandfather, and by my mother.

I try to get some friends together and read a script aloud. Sometimes I read scripts and record them and play them back to see if there’s a movie.

If you can identify with people, you can empathize with people and therefore you understand things.

I’ve never forgotten that experience. But I had nobody at school that was either like Hector or Irwin.

It’s as though either you accept [religious] doctrine and then you can have all the nice stuff, or you reject the doctrine and you’re living in some kind of spiritual wasteland under the guidance of CNN and Walmart.

A collected poems’ is either a gravestone or a testimonial to survival.

Either I act or I die.

It’s funny, but when there are dominant teams, there are a number of people who rail about the fact that they’re always seeing the Dallas Cowboys or the San Francisco 49ers or the Green Bay either in the playoffs or in the Super Bowl.

I’ve been saying for almost 20 years that I need to do a jazz project and it ought to be either big band or I should do some jazz songs with a trio or quartet.

In the world of comedy, there’s this: “If it’s going badly, get off. If it’s going well, get off”. You can’t argue with that either.

Everyone reaches their point in time where either they die or they get sick of doing drugs.