[Oscar Wilde’s Salome screenplay] is not autobiographical in a sense where you go to my house and see my kids and stuff like that, but that’s why I guess it’s semi-autobiographical.
AL PACINOYou try to maintain a neutral approach to your work, and not be too hard on yourself.
More Al Pacino Quotes
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I like, for instance, ‘Serpico.’ I enjoyed playing Serpico because Frank Serpico was there. He existed. He was a real life person and I could – I could embody him. I could, you know.
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When you’re acting for a camera, it keeps taking and never giving back.
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I am more alive in the theater than anywhere else, but what I take into the theater I get from the streets.
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It wasn’t until I got older that I realized acting was something I could really do.
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My own celebrity, my own life. This is semi-autobiographical in terms of my commitment to this kind of thing.
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Anybody who cares about what he does takes risks.
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I picked the wrong movie, or I didn’t pursue a character, but everything you do is part of you and you get something from it.
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I wouldn’t be interested in [nowadays] television simply because I think it goes too fast.
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So I’ve been doing everything that has to do with being next to them, close to them.
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I think what you see [in Salome the play backstage] is an artist having this fit of temperament.
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I’ve never felt sensitive to the whole issue, because being macho has never been a problem with me.
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People are always asking me to do Shakespeare – at home, at colleges, on film locations, in restaurants. It’s like playing a piece of music, getting all the notes. It’s great therapy.
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When you’re reading some of the great plays, when you do what I call “taking up with a writer,” something happens.
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I just wondered how it would feel, how people would treat her, but she’s adjusted so marvelously.
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I go all over the world, I have access to many things, many people, many places and it’s wonderful. But now I’m at a point where.
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