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I simply do not like to show my weakness, and I hate to lose, so I am a person who tries hard. That’s all there is to me.

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Hate Lose Person Show Simpy Try Weakness

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There is nothing that says more about its creator than the work itself.
AKIRA KUROSAWA

Creator Itself More Nothing Work
Something that you should take particular notice of is the fact that the best scripts have very few explanatory passages.
AKIRA KUROSAWA

Believe Best Character Explanatory Fall Notice Particular Passage Script Something
I believe you must live honestly and develop your abilities to the full. People who do this are the real heroes.
AKIRA KUROSAWA

Ability Believe Develop Full Heroes Honethy People Real
I simply do not like to show my weakness, and I hate to lose, so I am a person who tries hard. That’s all there is to me.
AKIRA KUROSAWA

Hate Lose Person Show Simpy Try Weakness
When I start on a film I always have a number of ideas about my project. Then one of them begins to germinate, to sprout, and it is this, which I take and work with.
AKIRA KUROSAWA

Always Begin Film Germinate Idea Number Project Sprout Start Take Work Writing
I can’t afford to hate anyone. I don’t have that kind of time.
AKIRA KUROSAWA

Afford Anyone Hate Kind Time
I don’t feel out of place. I think of earth as my home. If everyone thought this way, people might notice just how foolish international friction is and the would be put an end to it.
AKIRA KUROSAWA

Earth End Feel Foolish Friction Home International Notice Out Place
I end up writing not from my own will, but from theirs-they come alive as I write and make me do things that I couldn’t have planned.
AKIRA KUROSAWA

Alive Come End Make Own Plan Thing Will Writing
Adding explanation to the descriptive passages of a screenplay is the most dangerous trap you can fall into.
AKIRA KUROSAWA

Adding Dangerous Descriptive Explanation Fall Into Most Passage Screenplay Tray
The terrible thing is that people who are madmen in private may wear a totally bland and innocent expression in public.
AKIRA KUROSAWA

Bland Expression Innocent Madmen People Private Public Terrible Thing Totally Wear
It’s easy to explain the psychological state of a character at a particular moment, but it’s very difficult to describe it through the delicate nuances of action and dialogue. Yet it is not impossible.
AKIRA KUROSAWA

Action Character Dialogue Difficult Explain Moment Particular Possible Psychological State
Page 61: No matter where I go in the world, although I can’t speak any foreign language.
AKIRA KUROSAWA

Although Foreign Home Language Matter People Speak Thinking World
Yet pleasure in the work can’t be achieved unless you know you have put all of your strength into it and have done your best to make it come alive.
AKIRA KUROSAWA

Achieve Alive Best Come Done Pleasure Strength Unless Work
My films come from my need to say a particular thing at a particular time. The beginning of any film for me is this need to express something.
AKIRA KUROSAWA

Beginning Come Film Need Particular Something Thing Time
If you look at everything straight on, there is nothing to be afraid of.
AKIRA KUROSAWA

Afraid Everything Look Nothing Straight
By doing this I sense instantly when something isn’t right. Watching something does not mean fixing your gaze on it, but being aware of it in a natural way.
AKIRA KUROSAWA

Aware Being Fix Instantly Nature Right Sense Something Watch Way

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