I am not a special person, I am not especially strong; I am not especially gifted.
AKIRA KUROSAWAHuman beings share the same common problems. A film can only be understood if it depicts these properly.
More Akira Kurosawa Quotes
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The characters in my films try to live honestly and make the most of the lives they’ve been given.
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I don’t feel out of place. I think of earth as my home. If everyone thought this way, people might notice just how foolish international friction is and the would be put an end to it.
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It’s easy to explain the psychological state of a character at a particular moment, but it’s very difficult to describe it through the delicate nuances of action and dialogue. Yet it is not impossible.
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One of techniques of modern art is simplification, and that I must therefore simplify this film.
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What nurtures this root and makes it grow into a tree is the script. What makes the tree bear flowers and fruit is the directing.
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The terrible thing is that people who are madmen in private may wear a totally bland and innocent expression in public.
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I simply do not like to show my weakness, and I hate to lose, so I am a person who tries hard. That’s all there is to me.
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I believe you must live honestly and develop your abilities to the full. People who do this are the real heroes.
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If I were to write anything at all, it would turn out to be nothing but talk about movies. In other words, take ‘myself,’ subtract ‘movies,’ and the result is ‘zero.’
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Movie directors, or should I say people who create things, are very greedy and they can never be satisfied… That’s why they can keep on working.
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If you want to be a great director, be a great screenwriter.
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People today have forgotten they’re really just a part of nature. Yet, they destroy the nature on which our lives depend. They always think they can make something better…
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Something that you should take particular notice of is the fact that the best scripts have very few explanatory passages.
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While the cameras are rolling, I rarely look directly at the actors, but focus my gaze somewhere else.
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For truly cinematic expression, the camera and the microphone must be able to cross both fire and water.
AKIRA KUROSAWA