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Human beings share the same common problems. A film can only be understood if it depicts these properly.

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Being Common Depict Film Directing Human Problem Properly Understood

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Marilyn Monroe Paulo Coelho Abraham Lincoln C. S. Lewis Khalil Gibran Charlie Chaplin Gautama Buddha Isaac Newton

The characters in my films try to live honestly and make the most of the lives they’ve been given.
AKIRA KUROSAWA

Been Believe Character Film Great Hero Honesty Live Real
One of techniques of modern art is simplification, and that I must therefore simplify this film.
AKIRA KUROSAWA

Film Modern One Simplification Simply Technique Therefore
The root of any film project for me is this inner need to express something.
AKIRA KUROSAWA

Express Film Flower Inner Need Project Root Something Tree
By doing this I sense instantly when something isn’t right. Watching something does not mean fixing your gaze on it, but being aware of it in a natural way.
AKIRA KUROSAWA

Aware Being Fix Instantly Nature Right Sense Something Watch Way
Adding explanation to the descriptive passages of a screenplay is the most dangerous trap you can fall into.
AKIRA KUROSAWA

Adding Dangerous Descriptive Explanation Fall Into Most Passage Screenplay Tray
There is something that might be called cinematic beauty. It can only be expressed in a film, and it must be present for that film to be a moving work.
AKIRA KUROSAWA

Beauty Believe Call Cinematic Express Film might Moving People Something
A film made in this spirit reveals the hearts of the crew.
AKIRA KUROSAWA

Crew Film Heart Made Reveal Spirit
Human beings share the same common problems. A film can only be understood if it depicts these properly.
AKIRA KUROSAWA

Being Common Depict Film Directing Human Problem Properly Understood
I believe you must live honestly and develop your abilities to the full. People who do this are the real heroes.
AKIRA KUROSAWA

Ability Believe Develop Full Heroes Honethy People Real
While the cameras are rolling, I rarely look directly at the actors, but focus my gaze somewhere else.
AKIRA KUROSAWA

Actor Camera Direct Else Focus Gaze Look Rarely Rolling Somewhere
There is nothing that says more about its creator than the work itself.
AKIRA KUROSAWA

Creator Itself More Nothing Work
Yet pleasure in the work can’t be achieved unless you know you have put all of your strength into it and have done your best to make it come alive.
AKIRA KUROSAWA

Achieve Alive Best Come Done Pleasure Strength Unless Work
That is what makes a real movie. The script must be something that has the power to do this.
AKIRA KUROSAWA

Make Movie Power Real Script Something
Take me, subtract movies, and you get zero.
AKIRA KUROSAWA

Movie Substact Take Zero
Something that you should take particular notice of is the fact that the best scripts have very few explanatory passages.
AKIRA KUROSAWA

Believe Best Character Explanatory Fall Notice Particular Passage Script Something
When I start on a film I always have a number of ideas about my project. Then one of them begins to germinate, to sprout, and it is this, which I take and work with.
AKIRA KUROSAWA

Always Begin Film Germinate Idea Number Project Sprout Start Take Work Writing

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