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For me, filmmaking combines everything. That’s the reason I’ve made cinema my life’s work. In films, painting and literature, theatre and music come together. But a film is still a film.

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Cinema Combine Everything Filmmaking Life Made Reason Theatre Together Work

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Marilyn Monroe Paulo Coelho Abraham Lincoln C. S. Lewis Khalil Gibran Charlie Chaplin Gautama Buddha Isaac Newton

The root of any film project for me is this inner need to express something.
AKIRA KUROSAWA

Express Film Flower Inner Need Project Root Something Tree
The great appeal of film is its relatability.
AKIRA KUROSAWA

Appeal Film Great Relatability
For truly cinematic expression, the camera and the microphone must be able to cross both fire and water.
AKIRA KUROSAWA

Able Camera Cinematic Cross Expression Fire Microphone Truly Water
I’ve been able to work for so long because I think next time, I’ll make something good.
AKIRA KUROSAWA

Able Good Long Next So Something Time Work
The films an audience really enjoys are the ones that were enjoyable in the making.
AKIRA KUROSAWA

Alive Audience Done Film Heart Idea Number Project
I suppose all of my films have a common theme. If I think about it, though, the only theme I can think of is really a question: Why can’t people be happier together?
AKIRA KUROSAWA

Common Film People Suppose Theme Think Together
Man is a genius when he dreams. Dream what you are capable of. The harder you dream it, the sooner it will come true.
AKIRA KUROSAWA

Come Dream Genius Harder Man True
The role of the artist is to not look away.
AKIRA KUROSAWA

Artist Away Look Role
There is something that might be called cinematic beauty. It can only be expressed in a film, and it must be present for that film to be a moving work.
AKIRA KUROSAWA

Beauty Believe Call Cinematic Express Film might Moving People Something
Adding explanation to the descriptive passages of a screenplay is the most dangerous trap you can fall into.
AKIRA KUROSAWA

Adding Dangerous Descriptive Explanation Fall Into Most Passage Screenplay Tray
I end up writing not from my own will, but from theirs-they come alive as I write and make me do things that I couldn’t have planned.
AKIRA KUROSAWA

Alive Come End Make Own Plan Thing Will Writing
What nurtures this root and makes it grow into a tree is the script. What makes the tree bear flowers and fruit is the directing.
AKIRA KUROSAWA

Bear Direct Flower Fruit Grow Make Nurture Root Script Tree
During the shooting of a scene the director’s eye has to catch even the minutest detail. But this does not mean glaring concentratedly at the set.
AKIRA KUROSAWA

Believe Carch Detail Director Eye Mean Minute Scene
They often reveal much about themselves in a very straightforward way. I am certain that I did. There is nothing that says more about its creator than the work itself.
AKIRA KUROSAWA

Certain Creator Itself Nothing Often Reveal Straightforward Themselves World
In order to find reality, each must search for his own universe, look for the details that contribute to this reality7 that one feels under the surface of things.
AKIRA KUROSAWA

Artist Contribute Detail Each Mean Must Order Own Reality Search Universe
With a good script a good director can produce a masterpiece; with the same script a mediocre director can make a passable film. But with a bad script even a good director can’t possibly make a good film.
AKIRA KUROSAWA

Bad Director Expression Film Fire Good Masterpiece Mediocre Passable Producer Real Same Script

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