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When it is very well expressed, one experiences a particularly deep emotion while watching that film.

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Deep Emotion Experience Express Film Particular Very Watch Well

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Marilyn Monroe Paulo Coelho Abraham Lincoln C. S. Lewis Khalil Gibran Charlie Chaplin Gautama Buddha Isaac Newton

Human beings are unable to be honest with themselves about themselves. They cannot talk about themselves without embellishing.
AKIRA KUROSAWA

Being Honest Human Themselves Unable
My films come from my need to say a particular thing at a particular time. The beginning of any film for me is this need to express something.
AKIRA KUROSAWA

Beginning Come Film Need Particular Something Thing Time
The terrible thing is that people who are madmen in private may wear a totally bland and innocent expression in public.
AKIRA KUROSAWA

Bland Expression Innocent Madmen People Private Public Terrible Thing Totally Wear
I am not a special person, I am not especially strong; I am not especially gifted.
AKIRA KUROSAWA

Especially Gift Hate Special Strong
For me, filmmaking combines everything. That’s the reason I’ve made cinema my life’s work. In films, painting and literature, theatre and music come together. But a film is still a film.
AKIRA KUROSAWA

Cinema Combine Everything Filmmaking Life Made Reason Theatre Together Work
Take me, subtract movies, and you get zero.
AKIRA KUROSAWA

Movie Substact Take Zero
Adding explanation to the descriptive passages of a screenplay is the most dangerous trap you can fall into.
AKIRA KUROSAWA

Adding Dangerous Descriptive Explanation Fall Into Most Passage Screenplay Tray
I had wanted to make The Idiot long before Rashomon. Since I was little I’ve liked Russian literature, but I find that I like Dostoevsky the best and had long thought that this book would make a wonderful film.
AKIRA KUROSAWA

Book Country Film Idiot Like Literature Long Make Want Wonderful
I don’t feel out of place. I think of earth as my home. If everyone thought this way, people might notice just how foolish international friction is and the would be put an end to it.
AKIRA KUROSAWA

Earth End Feel Foolish Friction Home International Notice Out Place
What nurtures this root and makes it grow into a tree is the script. What makes the tree bear flowers and fruit is the directing.
AKIRA KUROSAWA

Bear Direct Flower Fruit Grow Make Nurture Root Script Tree
For truly cinematic expression, the camera and the microphone must be able to cross both fire and water.
AKIRA KUROSAWA

Able Camera Cinematic Cross Expression Fire Microphone Truly Water
People today have forgotten they’re really just a part of nature. Yet, they destroy the nature on which our lives depend. They always think they can make something better…
AKIRA KUROSAWA

Air Better Depend Destroy Forgotten Nature Part People Something Thinking
If I were to write anything at all, it would turn out to be nothing but talk about movies. In other words, take ‘myself,’ subtract ‘movies,’ and the result is ‘zero.’
AKIRA KUROSAWA

Anything Movie Nothing Result Talk Turn Writing Zero
During the shooting of a scene the director’s eye has to catch even the minutest detail. But this does not mean glaring concentratedly at the set.
AKIRA KUROSAWA

Believe Carch Detail Director Eye Mean Minute Scene
I’ve been able to work for so long because I think next time, I’ll make something good.
AKIRA KUROSAWA

Able Good Long Next So Something Time Work
A film made in this spirit reveals the hearts of the crew.
AKIRA KUROSAWA

Crew Film Heart Made Reveal Spirit

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