People don’t buy records anymore. I don’t know how people can support themselves.
AIMEE MANNThe moth don’t care when he sees the flame He might get burned, but he’s in the game And once he’s in, he can’t go back He’ll beat his wings till he burns them black.
More Aimee Mann Quotes
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Knowing record labels and knowing the kinds of things they would object to-they just object to everything that’s interesting.
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It’s easier to describe that shame, that horrible feeling of not being able to control your own life.
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You get into the cadence in your mind, and it’s hard to make the kind of left turn that you probably need to keep it really interesting.
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I did it when I was young, and some of the music was OK, but it wasn’t great.
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I think, to be happy is to be interested and engaged.
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If you’re an artist trying to put out your own record on your own label, it’s hard to get a distribution deal because no one wants to sign a deal with one entity.
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It really doesn’t matter to me what people say about me anymore.
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Clearly in this business you have to contend with a lot of that.
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And if that’s your sole motivation, it’s going to reflect that narcissistic greed and you’re going to hear it in the music.
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They want to sign distribution deals with labels, who have lots of product, lots of artists.
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It’s not easy in this phosphorescent gloom telling waking dreams apart anyhow.
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It’s more important for me to have a good record with good music and be part of a movie that’s good and where the music is used in a really great way. That’s the important thing. The other stuff you want to say about it, I don’t care.
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All the perfect drugs and superheroes wouldn’t be enough to bring me back to zero.
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When I grew up in the ’70s I thought you had to take drugs. It was almost like I didn’t think you had a choice.
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For me, there’s a fine line between telling a story that’s fictional with lots of details and then removing yourself too much from it, so it’s bloodless, a little too fictional.
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Save me from the ranks of the freaks who suspect they can never love anyone.
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And nothing fuels a good flirtation Like need and anger and desperation No, the moth don’t care if the flame is real.
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I’m really into boxing. I go to a gym and I’m friends with a trainer who’s a pretty famous boxing trainer and I train with him.
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I have a 6-year-old, and his thing is to turn on Radio Disney in the car, and I get such an allergic reaction to listening to that music and the context into which it falls. I’m really working on him about that.
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I don’t believe in asking people to spend $15 on something they’ve never heard before. That’s just unreasonable.
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There’s a lot of music that sounds like it’s literally computer-generated, totally divorced from a guy sitting down at an instrument.
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I suppose I should be happy to be misread; better be that than some of the other things I have become.
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What’s interesting to me is drama and conflict. Things aren’t interesting without conflict and resolution of conflict – or striving towards a resolutions of conflict.
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It’s funny, because my last record was a lot about isolation and people living in separate worlds that other people can’t even understand, which drug addiction is the perfect negative example of.
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But I can’t confront the doubts I have. I can’t admit that maybe the past was bad, and so, for the sake of momentum I’m condemning the future to death so it can match the past.
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It’s in the dictionary. And when I find what it is, I’ll write it down in case it comes up again, I’ll be certain to avoid it.
AIMEE MANN