I think the government regrets having Sina Weibo, but they cannot shut it down. That would definitely be suicidal.
AI WEIWEINo state or society can claim to have established human rights once and for all.
More Ai Weiwei Quotes
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[Cultural departments] don’t care about culture. Maybe they’re the furthest from the people who understand culture.
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[Cultural department] understand nothing but bureaucratic daily affairs. They don’t care about culture.
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Everything is art. Everything is politics.
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Censorship is saying: “I’m the one who says the last sentence. Whatever you say, the conclusion is mine.” But the internet is like a tree that is growing.
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Even today the borders they’re seeing the physical borders are very different from the political borders. Because all those powers are so connected, and you cannot even see whose interest in what move.
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China didn’t want to lose the cutting edge of technology. So the idea of having a Sina Weibo was an attempt to compete with Twitter. However, it has no soul – which is freedom of expression. Nevertheless,
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In my case, I was stuck there for quite a while. New York is large enough to be a very abstract city, so nobody cares.
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If we all say the same thing, then I think the government has to listen. But because no one is saying it, I become singled out, even though what I’m saying is common sense.
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People have a tendency to become elite rather than to care about the general conditions of the society, which makes me sick. It’s an unbearable condition.
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Of course, most luxury goods in China are for corrupted officials and their relatives. And that made China become the biggest luxury-goods market.
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I believe [the architecture firm] Herzog and de Meuron and our collaboration made the product the best it could be.
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If my art has nothing to do with people’s pain and sorrow, what is ‘art’ for?
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When you have strict censorship of the internet, young students cannot receive a full education. Their view of the world is imbalanced. There can be no true discussion of the issues.
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I deal with students every day – from China, Germany, the United States, Hong Kong and Taiwan. And I’ve noticed that the Chinese students are the least trained in having a sense of aesthetics.
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Somehow, we [ Tan Dun and director Chen Kaige] were all privileged at the time; we could be outside of China. But at the moment, we had no sense of what the future was going to be like.
AI WEIWEI