I have to do something which relates with my time, and in my time, we make things differently.
AGNES VARDAI was a photographer first.I worked alone. I did it my way as much as I could. I have been sort of courageous about doing things, because I didn’t think I should do less than my brothers.
More Agnes Varda Quotes
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I was nineteen and I put a bowl on and I said, Cut around! Because it was not the fashion at the time when I did that hairdo – and I kept it all my life!
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My company is called Ciné-Tamaris, which is rosemary. That’s my speed. Hot water and herb.
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When I started I did not know I wanted to be a filmmaker. I started – I made a film. Then when I finished I said, Oh my god it’s so beautiful – I should be a filmmaker!
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I’m still fighting. I don’t know how much longer, but I’m still fighting a struggle, which is to make cinema alive and not just make another film.
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You are always in the world. Even in Vagabond. I am not on the road, I am not eating nothing.
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I’m trying to capture something more fragile than a regular story. I love what people bring me.
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You can buy a good pasta but when you cook it yourself it has another feeling.
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Even Vagabond – it was a fiction but it was really a documentary. I mean, it has the texture of documentary. Even if I made up every line, it has the texture of being true.
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People know it’s not easy, and even though you have strong feeling and desire and endless love, it doesn’t always happen.
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An old woman I loved very much when I was young – the wife of Jean Villard – she’s just reciting poetry all the time, which is beautiful because it means she went back to the world of poetry that she loved when she was young. That’s all she does.
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I didn’t have a list of things I should do this year, next year, find a good novel, sign two stars and make a deal – because I think cinema should come from cinema.
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I tried to find images, allegorical images, that I could use to express things that I didn’t want to say or didn’t want to show or I was not able to find how to show.
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When I did the first edit of Les plages, it was very dry and very square in a way. I was just saying the minimum. I said, Well, if this is the minimum, I don’t make it. So I tried to make it more refined.
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The film critics don’t know my artwork and the art world doesn’t know my films.
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Sometimes I say, If I had seen some masterpieces, maybe I wouldn’t have dared start. I started very – not innocent, but naïve in a way.
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