black
grey
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Hands are the tool of the painter, the artist.

Agnes Varda

People know it’s not easy, and even though you have strong feeling and desire and endless love, it doesn’t always happen.
AGNES VARDA

Always Couple Especially Fragile Happen More Story Thirty Year
I’m missing some people, you know, and this is not nostalgia. I miss them. This is melancholy.
AGNES VARDA

Melancholy Missing Nostalgia People Some
I go back to many films that I really love.
AGNES VARDA

Film Love Need Really Watches Year
I live in cinema. I feel I’ve lived here forever.
AGNES VARDA

Cinema Fel Forever Here Loved Movie
I should say nothing! I’m through with it! I hate to repeat myself all the time.
AGNES VARDA

All Hate Myself Nothing Repeat Time
I had beautiful jewelery around me, and when I lost I would take the jewelery and say, Service – being very generous, because it was very expensive jewelery. I would say, Tip.
AGNES VARDA

Beautiful Expensive Jewelry Lost Service Tip
People like my films. They understand me through my films; it’s like a connection that has been established between all my work and myself and the audience and the viewer.
AGNES VARDA

Connection Established Film People Understand
You have to be strong to be a carpenter, maybe, but the director of a film doesn’t need to have muscles.
AGNES VARDA

Carpenter Direct Director Film Muscle Need Strong
I’d been educated stupidly, I knew nothing about nothing, that’s part of being shy.
AGNES VARDA

Educated Nothing Part Shy Stupidity
You know, an hour and fifty-four minutes is too much for audiences. They get nervous.
AGNES VARDA

Audience Fifty Four Getting Minute Much Nervous
I don’t believe in inspiration that arrives like a bolt from the blue … It seems to me that the more motivated I am by what I film, the more objectively I film.
AGNES VARDA

Arrive Belief Blue Bolt Inspiration Inspirational
We got along very well without trying to make me look like I’m what I’m not.
AGNES VARDA

Among Like Look Trying Well Without
I did not think that woman would be restrained. I never saw that, especially not in filmmaking, where you don’t have to be strong.
AGNES VARDA

Especially Filmmaking Saw Strong Woman
I was nineteen and I put a bowl on and I said, Cut around! Because it was not the fashion at the time when I did that hairdo – and I kept it all my life!
AGNES VARDA

Around Bowl Cut Cutting Fashion Nineteen Put Time
When I started my first film, there were three women directors in France. Their films were OK, but I was different. It’s like when you start to jump and you put the pole very high – you have to jump very high. I thought, I have to use cinema as a language.
AGNES VARDA

Cinema Country Different Director Film First High Jump Language Pole Started Three Women
Society is so slow. A feminist is a bore.
AGNES VARDA

Bore Feminist Slow Society

Hands are the tool of the painter, the artist.

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Hands are the tool of the painter, the artist.

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