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I live in cinema. I feel I’ve lived here forever.

Agnes Varda

I have to do something which relates with my time, and in my time, we make things differently.
AGNES VARDA

Differently Make Relate Something Thing Time
I’m trying to capture something more fragile than a regular story. I love what people bring me.
AGNES VARDA

Capture Love People Regular Something Stories Story Try Trying
This is all you need in life: a computer, a camera, and a cat.
AGNES VARDA

All Camera Cat Computer Need
She almost doesn’t recognize her children, but she recites Valéry and Baudelaire. So what? We’re the ones who are suffering. She’s not.
AGNES VARDA

Almost Children Recite Recognize Suffering
But in a way we all have a Mona. We all have inside ourselves a woman who walks alone on the road. In all women there is something in revolt that is not expressed.
AGNES VARDA

Alone Inside Ourselves Revolt Road Something Way Women
I’m myself – knowing I’m doing a documentary and speaking with the people, telling them I have a bed, that I can eat every day, but I would like to speak to you. And they really gave me wonderful answers.
AGNES VARDA

Bed Documentary Idea Knowing People Speak Speaking Telling Trying Wonderful
With Jane Birkin, we had a scene from a film called Jane B. by Agnès V. – a portrait I made in ’87. We had a casino scene, surrealistic, in which we had some naked people gambling. Jane Birkin was the card dealer and I was the player.
AGNES VARDA

Beautiful Casino Dealer Film Gambling Made Naked People Player Portrait Scene Surrealistic
I call [ordinary people] real people, because they have in themselves an incredible treasure – stories, a way of speaking, a way of sharing, an innocence and a perversity which I find very interesting to discover little by little.
AGNES VARDA

Discover Incredible Interesting Ordinary People Real Stories Themselves Treasure Way
I’m still fighting. I don’t know how much longer, but I’m still fighting a struggle, which is to make cinema alive and not just make another film.
AGNES VARDA

Alive Cinema Fighting Hope Struggle
I wanted to catch the problem of consumption, waste, poor people eating what we throw away, which is a big subject. But I didn’t want to become a sociologue, an ethnographe, a serious thinker. I thought I should be free, even in a documentary which has a very serious subject.
AGNES VARDA

Away Catch Consumption Documentary Eating Ethnography People Want Problem Serious Sociologie Subject Thinker Throw Wanted
I think the digital cameras have changed my view. Even though sometimes, including the installations that I show, I mix 35mm filming and video handmade.
AGNES VARDA

Camera Changed Digital Filming Handmade Installation Video View
It sounds so lovely in French. So I took that because it was the subject: I and myself and myself and I. Which is, in a way, boring, because it is a contradiction.
AGNES VARDA

Boring Contradiction Country Lovely Myself Sound Subject Took
Some Bresson, some Godard of the early times, the Cassavetes of those years I love. And the early Wim Wenders. But my own films I don’t watch, unless I need them.
AGNES VARDA

Bresson Cassavetes Early Film Godard Love Need Some Time Unless Watch
My company is called Ciné-Tamaris, which is rosemary. That’s my speed. Hot water and herb.
AGNES VARDA

Call Cine Company Herb Hot Rosemary Speed Tamaris Water
I was free always. I could work without the money, to film this and that. But this is another point, because now I’m alone, and I can just use it when I want.
AGNES VARDA

Always Could Film Free Money Sometimes Thinking Work
We got along very well without trying to make me look like I’m what I’m not.
AGNES VARDA

Among Like Look Trying Well Without

I live in cinema. I feel I’ve lived here forever.

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I live in cinema. I feel I’ve lived here forever.

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