The tool of every self-portrait is the mirror. You see yourself in it. Turn it the other way, and you see the world .
AGNES VARDAI live in cinema. I feel I’ve lived here forever.
More Agnes Varda Quotes
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In my films I always wanted to make people see deeply. I don’t want to show things, but to give people the desire to see.
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We got along very well without trying to make me look like I’m what I’m not.
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An old woman I loved very much when I was young – the wife of Jean Villard – she’s just reciting poetry all the time, which is beautiful because it means she went back to the world of poetry that she loved when she was young. That’s all she does.
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I think I got people confidence because I was not looking at them like insects that I would film.
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I think people should be different. I love people who don’t go by the rule that you have to be careful because you’re old, you have to do this and that, you have to eat this and that.
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I’m myself – knowing I’m doing a documentary and speaking with the people, telling them I have a bed, that I can eat every day, but I would like to speak to you. And they really gave me wonderful answers.
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I quit seeing some people who were saying bad things about women; I don’t even want to meet them or see them.
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Good cinema is good cinema. It makes you feel like you need to work.
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I don’t try to make a place in history at all! People put me in the history of cinema because my first film, La pointe-courte, was so ahead of some other filmmakers.
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Humor is such a strong weapon, such a strong answer. Women have to make jokes about themselves, laugh about themselves, because they have nothing to lose.
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Just yesterday I saw a good film, but even if I’d seen a bad one, I’d feel, “Oh my god, what a bad job, I can do better.”
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Gleaning is getting things that are abandoned. I did not abandon my early pictures, my photos, my early films. It’s just going through my body of work as something I can pick from.
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People know it’s not easy, and even though you have strong feeling and desire and endless love, it doesn’t always happen.
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When I started my first film, there were three women directors in France. Their films were OK, but I was different. It’s like when you start to jump and you put the pole very high – you have to jump very high. I thought, I have to use cinema as a language.
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I’m not interested in seeing a film just made by a woman – not unless she is looking for new images.
AGNES VARDA






