I’m missing some people, you know, and this is not nostalgia. I miss them. This is melancholy.
AGNES VARDAPeople think you are an orphan when you are a child, and don’t believe that old people can feel that they are orphans.
More Agnes Varda Quotes
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We got along very well without trying to make me look like I’m what I’m not.
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I think people should be different. I love people who don’t go by the rule that you have to be careful because you’re old, you have to do this and that, you have to eat this and that.
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I’m myself – knowing I’m doing a documentary and speaking with the people, telling them I have a bed, that I can eat every day, but I would like to speak to you. And they really gave me wonderful answers.
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I wanted to catch the problem of consumption, waste, poor people eating what we throw away, which is a big subject. But I didn’t want to become a sociologue, an ethnographe, a serious thinker. I thought I should be free, even in a documentary which has a very serious subject.
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I’ve seen many films, and many beautiful films. And I try to keep a certain level of quality of my films. I don’t do commercials,
AGNES VARDA -
When I saw what painting had done in the last thirty years, what literature had done – people like Joyce and Virginia Woolf, Faulkner and Hemingway – in France we have Nathalie Sarraute – and paintings became so strongly contemporary while cinema was just following the path of theater.
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I go back to many films that I really love.
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The tool of every self-portrait is the mirror. You see yourself in it. Turn it the other way, and you see the world .
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It’s a way of living, cinema. And I see my family, I do this and that, I travel. It’s a long process to let it happen.
AGNES VARDA -
It sounds so lovely in French. So I took that because it was the subject: I and myself and myself and I. Which is, in a way, boring, because it is a contradiction.
AGNES VARDA -
You have to invent life.
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I don’t believe in inspiration that arrives like a bolt from the blue … It seems to me that the more motivated I am by what I film, the more objectively I film.
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I didn’t go to film school. I was never an assistant or trainee on a film. I had not seen all those cameras. So I think it gave me a lot of freedom.
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When I did the first edit of Les plages, it was very dry and very square in a way. I was just saying the minimum. I said, Well, if this is the minimum, I don’t make it. So I tried to make it more refined.
AGNES VARDA -
Humor is such a strong weapon, such a strong answer.
AGNES VARDA