I was a photographer first.I worked alone. I did it my way as much as I could. I have been sort of courageous about doing things, because I didn’t think I should do less than my brothers.
AGNES VARDANostalgia doesn’t make sense, because it’s like bringing the memories back to be a special part of my day or to be part of my week. And I’m inside my memories the same way I’m inside my everyday life.
More Agnes Varda Quotes
-
-
I’m interested in people who are not exactly the middle way, or who are trying something else because they cannot prevent themselves from being different, or they wish to be different, or they are different because society pushed them away.
AGNES VARDA -
Gleaning is getting things that are abandoned. I did not abandon my early pictures, my photos, my early films. It’s just going through my body of work as something I can pick from.
AGNES VARDA -
I’m not interested in seeing a film just made by a woman – not unless she is looking for new images.
AGNES VARDA -
Sometimes I say, If I had seen some masterpieces, maybe I wouldn’t have dared start. I started very – not innocent, but naïve in a way.
AGNES VARDA -
Good cinema is good cinema. It makes you feel like you need to work.
AGNES VARDA -
I’m not nostalgic. My memories are back here in my mind.
AGNES VARDA -
You know, an hour and fifty-four minutes is too much for audiences. They get nervous.
AGNES VARDA -
There is a song of Gainsbourg that Jane Birkin sang, and the words are beautiful in French. It says, “Le jeu et les moi.” It’s impossible to translate, because it has a very nice sound.
AGNES VARDA -
The film critics don’t know my artwork and the art world doesn’t know my films.
AGNES VARDA -
I go back to many films that I really love.
AGNES VARDA -
I don’t watch my own films. There is little time; I’d rather see another film.
AGNES VARDA -
I’ve seen many films, and many beautiful films. And I try to keep a certain level of quality of my films. I don’t do commercials,
AGNES VARDA -
When I started my first film, there were three women directors in France. Their films were OK, but I was different. It’s like when you start to jump and you put the pole very high – you have to jump very high. I thought, I have to use cinema as a language.
AGNES VARDA -
With Jane Birkin, we had a scene from a film called Jane B. by Agnès V. – a portrait I made in ’87. We had a casino scene, surrealistic, in which we had some naked people gambling. Jane Birkin was the card dealer and I was the player.
AGNES VARDA -
But in a way we all have a Mona. We all have inside ourselves a woman who walks alone on the road. In all women there is something in revolt that is not expressed.
AGNES VARDA