I was free always. I could work without the money, to film this and that. But this is another point, because now I’m alone, and I can just use it when I want.
AGNES VARDAI’ve always been like this – trying to find adventure where it’s still in its first élan – the first spring.
More Agnes Varda Quotes
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People like my films. They understand me through my films; it’s like a connection that has been established between all my work and myself and the audience and the viewer.
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I try to do nothing. I drink rosemary when I have a lot of work to do. People take coffee, they take speed, whatever. I take rosemary.
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You are always in the world. Even in Vagabond. I am not on the road, I am not eating nothing.
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You can buy a good pasta but when you cook it yourself it has another feeling.
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I don’t do films pre-prepared by other people, I don’t do star system. So I do my own little thing.
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In my films I always wanted to make people see deeply. I don’t want to show things, but to give people the desire to see.
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This is all you need in life: a computer, a camera, and a cat.
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I tried to find images, allegorical images, that I could use to express things that I didn’t want to say or didn’t want to show or I was not able to find how to show.
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You know, an hour and fifty-four minutes is too much for audiences. They get nervous.
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I was a photographer first.I worked alone. I did it my way as much as I could. I have been sort of courageous about doing things, because I didn’t think I should do less than my brothers.
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I’m interested in people who are not exactly the middle way, or who are trying something else because they cannot prevent themselves from being different, or they wish to be different, or they are different because society pushed them away.
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I hated myself totally white. So now I cheat. It’s my white hair, and I put color there.
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I’m not nostalgic. My memories are back here in my mind.
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When I started my first film, there were three women directors in France. Their films were OK, but I was different. It’s like when you start to jump and you put the pole very high – you have to jump very high. I thought, I have to use cinema as a language.
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I need images, I need representation which deals in other means than reality. We have to use reality but get out of it. That’s what I try to do all the time.
AGNES VARDA