People like my films. They understand me through my films; it’s like a connection that has been established between all my work and myself and the audience and the viewer.
AGNES VARDAI didn’t have a list of things I should do this year, next year, find a good novel, sign two stars and make a deal – because I think cinema should come from cinema.
More Agnes Varda Quotes
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I was free always. I could work without the money, to film this and that. But this is another point, because now I’m alone, and I can just use it when I want.
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Just yesterday I saw a good film, but even if I’d seen a bad one, I’d feel, “Oh my god, what a bad job, I can do better.”
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I’m trying to capture something more fragile than a regular story. I love what people bring me.
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I didn’t go to film school. I was never an assistant or trainee on a film. I had not seen all those cameras. So I think it gave me a lot of freedom.
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I’m missing some people, you know, and this is not nostalgia. I miss them. This is melancholy.
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It’s nice to think that we have in ourselves the energy. It’s somewhere, but it’s sleeping sometimes. I try to wake it up when I need it.
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You can buy a good pasta but when you cook it yourself it has another feeling.
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I don’t do films pre-prepared by other people, I don’t do star system. So I do my own little thing.
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I think it’s ridiculous to take such risk. But look, people love to do that. But I was not afraid of doing things I wished to do.
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I’ve always been like this – trying to find adventure where it’s still in its first élan – the first spring.
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I’m not interested in seeing a film just made by a woman – not unless she is looking for new images.
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I need images, I need representation which deals in other means than reality. We have to use reality but get out of it. That’s what I try to do all the time.
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Many filmmakers have made resurgent work, and I was just a little ahead of the time.
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When I saw what painting had done in the last thirty years, what literature had done – people like Joyce and Virginia Woolf, Faulkner and Hemingway – in France we have Nathalie Sarraute – and paintings became so strongly contemporary while cinema was just following the path of theater.
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The boundaries between contemporary art and cinema are so rigid. It’s unbelievable.
AGNES VARDA