“I always feel like I don’t know how to express myself. I need to be with people that understand my language.”

I didn’t go to art school. So, I never had this moment of taking time to actually learn how to make things and learn about art history and learn about people that came before me.

I did a project on immigration, which is something that has always been close to my heart. For me, immigration was the way to evolve, to make people better.

Everyone moves for reason. You need a reason to leave everything behind.

When I get back into the city, it doesn’t matter where you plop me down, I have my friends around me and I feel so blessed.

You need people with brain and heart and soul that give it all. You need young people on skateboards and you need people running around making noise.

I think we all just love to be together and there are just not enough reasons to be together.

I love lawyers and bankers, they are my family, but I don’t want to live with them. It doesn’t make a city.

In order to be truly free, you must desire to know the truth more than you want to feel good. Because, if feeling good is your goal, then as soon as you feel better you will lose interest in what is true.

Modelling is only about the look. In acting, it’s the feel that matters.

I feel like a person living on the brink of a volcano crater.

I’m staying in my hometown and my home country because that is where I feel comfortable. I feel good there.

If somebody knows me, they know for sure I’m from Poland because I’m playing for my country every tournament, every match.

I was like: “I’m actually doing this.” And now I feel more confident going into something.

Everybody calls everybody a spy, secretly, in Russia, and everybody is under surveillance. You never feel safe.

I feel what is really great about Pusher is that it wasn’t about drugs and guns and strippers. That was just all circumstantial.