“Global culture” is of course not a culture: it’s the global marketing and imposing of commodities and images for the interests of the few at the expense of the many.
ADRIENNE RICHJust as traffic symbols, when driving, make us almost unconsciously aware of a steep hill, an intersection, an icy bridge etc.
More Adrienne Rich Quotes
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It is the suffering of ambivalence: the murderous alternation between bitter resentment and raw-edged nerves, and blissful gratification and tenderness
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Experience is always larger than language.
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Sleeping. Turning in turn like planets rotating in their midnight meadow: a touch is enough to let us know we’re not alone in the universe, even in sleep.
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We assume that politicians are without honor. We read their statements trying to crack the code. The scandals of their politics: not so much that men in high places lie, only that they do so with such indifference.
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I guess what concerns me always is the need for a field, a rich compost, for any art to flourish. But however isolate or unheard you may feel, if you have the need to write poetry, are compelled to write it, you go on, whether there is resonance or not.
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The moment when a feeling enters the body/ is political. This touch is political
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Most women have not even been able to touch this anger, except to drive it inward like a rusted nail.
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The password is a flicker of an eyelash.
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Writers matter in a society to the extent that we can help that society hear its unvoiced longing, encounter its erased and disregarded selves, break with complacency, numbness, despair.
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I do not think [poetry] is more, or less, necessary than food, shelter, health, education, decent working conditions. It is as necessary.
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We may feel bitterly how little our poems can do in the face of seemingly out-of-control technological power and seemingly limitless corporate greed, yet it has always been true that poetry can break isolation.
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Women have always been seen as waiting: waited to be asked, waiting for our menses, in fear lest they do or do not come, waiting for men to come home from wars, or from work.
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Much male fear of feminism is infantilism–the longing to remain the mother’s son, to possess a woman who exists purely for him.
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I think many poets, including myself, write both for the voice and for the page. I certainly write for the person alone in the library, who pulls down a book and it opens to a poem. I am also very conscious of what it means to read these poems aloud.
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Since we’re not young, weeks have to do time for years of missing each other.Yet only this odd warp in time tells me we’re not young.
ADRIENNE RICH