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I keep coming back to you in my head, but you couldn’t know that, and I have no carbons.

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Marilyn Monroe Paulo Coelho Abraham Lincoln C. S. Lewis Khalil Gibran Charlie Chaplin Gautama Buddha Isaac Newton

I am uncomfortable with talking of poetry as a priestly profession, because I have little use for organized religions and priestly hierarchies. They have demoralized, persecuted, so many, including women, gays, non-believers.
ADRIENNE RICH

Gay Organized Poetry Priestly Profession Religion Talking Uncomfortable Use
An honorable human relationship … is a process, delicate, violent, often terrifying to both persons involved, a process of refining the truths they can tell each other.
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Delicate Honorable Human Involved Person Process Relationship Terrifying Truth Violent
It is the thirtieth of May, the thirtieth of November, a beginning or an end, we are moving into the solstice and there is so much here I still do not understand.
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Beginning End May Moving November Solistice
To work and suffer is to be at home. All else is scenery.
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I’ve had to guess at her, sewing her skin together as I sew mine, though with a different stitch
ADRIENNE RICH

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To seek visions, to dream dreams, is essential, and it is also essential to try new ways of living, to make room for serious experimentation, to respect the effort even where it fails.
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Dream Effort Essential Experiment Living New Room Seek Serious Try Vision
A language is a map of our failures.
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This is one of the ways in which women’s work and thinking has been made to seem sporadic, errant, orphaned of any tradition of its own.
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The word revolution itself has become not only a dead relic of Leftism, but a key to the deadendedness of male politics.
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There is the falsely mystical view of art that assumes a kind of supernatural inspiration, a possession by universal forces unrelated to questions of power and privilege or the artist’s relation to bread and blood. In this view.
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“Global culture” is of course not a culture: it’s the global marketing and imposing of commodities and images for the interests of the few at the expense of the many.
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I am always interested in the ways of scoring the sound of the poem, especially a poem with long lines.
ADRIENNE RICH

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I’ve known great happiness in my life along with great darkness, and a question that has repeatedly entered my poetry has been, how do we use the direct experience of happiness that may be given us.
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When I talk of taking a trip I mean forever.
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What I discerned in the U.S. was a convergence of poetic voices coming from many different rents in the social fabric, many cultures, many tributaries, which, together, make up the American poetry of the late twentieth century.
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The liar often suffers from amnesia. Amnesia is the silence of the unconscious.
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