The revolution of a wheel which returns in the end to the same place; the revolving door of a politics which has liberated women only to use them, and only within the limits of male tolerance.
ADRIENNE RICHWe who were loved will never unlive that crippling fever.
More Adrienne Rich Quotes
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In the States, there has been, compared to the Sixties and Seventies, a huge retrenchment – not just in poetry – into the personal.
ADRIENNE RICH -
Most women have not even been able to touch this anger, except to drive it inward like a rusted nail.
ADRIENNE RICH -
The beauty of darkness is how it lets you see.
ADRIENNE RICH -
I’ve known great happiness in my life along with great darkness, and a question that has repeatedly entered my poetry has been, how do we use the direct experience of happiness that may be given us.
ADRIENNE RICH -
That primary quality of being which knows itself, its passions, only against an otherness that has to be dehumanized. I grew up in white silence that was utterly obsessional. Race was the theme whatever the topic.
ADRIENNE RICH -
The impulse to create begins – often terribly and fearfully – in a tunnel of silence.
ADRIENNE RICH -
I keep coming back to you in my head, but you couldn’t know that, and I have no carbons.
ADRIENNE RICH -
If you think you can grasp me, think again: my story flows in more than one direction, a delta springing from the river bed with its five fingers spread.
ADRIENNE RICH -
Marriage is lonelier than solitude.
ADRIENNE RICH -
You have to give your art everything you can – I don’t mean only writing, but studying other poets and poetics, thinking, reading what poets have written other than their poetry.
ADRIENNE RICH -
There is the falsely mystical view of art that assumes a kind of supernatural inspiration, a possession by universal forces unrelated to questions of power and privilege or the artist’s relation to bread and blood. In this view.
ADRIENNE RICH -
Sleeping. Turning in turn like planets rotating in their midnight meadow: a touch is enough to let us know we’re not alone in the universe, even in sleep.
ADRIENNE RICH -
If we had time and no money, living by our wits, what story would you tell?
ADRIENNE RICH -
Spaces within a line, double colons, slashes, are indications of pause, of breath, of urgency, they are not metrically exact as in a musical notation but they serve (I hope) to make the reader think about the sound of the poem.
ADRIENNE RICH -
In [family snapshots] the flow of profane time has been stopped and a sacred interval of self-conscious revelation has been cut from it by the edge of the picture frame and the light of the sun or the flash.
ADRIENNE RICH






