Our thinking and feeling are still running in the old cycles, our process may be ‘revolutionary’ but not transformative.
ADRIENNE RICHWe lose touch with parts of ourselves defined as unacceptable by that consciousness; with the vital toughness and visionary strength of the angry grandmothers, the fierce market women of the Ibo’s Women’s War.
More Adrienne Rich Quotes
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But before we were mothers, we have been, first of all, women, with actual bodies and actual minds.
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If I cling to circumstances I could feel not responsible. Only she who says she did not choose, is the loser in the end.
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It’s exhilarating to be alive in a time of awakening consciousness; it can also be confusing, disorienting, and painful.
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The moment when a feeling enters the body/ is political. This touch is political
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This is one of the ways in which women’s work and thinking has been made to seem sporadic, errant, orphaned of any tradition of its own.
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Probably there is nothing in human nature more resonant with charges than the flow of energy between two biologically alike bodies, one of which has lain in amniotic bliss inside the other, one of which has labored to give birth to the other.
ADRIENNE RICH -
There must be those among whom we can sit down and weep, and still be counted as warriors. (I make up this strange, angry packet for you, threaded with love.) I think you thought there was no such place for you, and perhaps there was none then.
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How we dwelt in two worlds the daughters and the mothers in the kingdom of the sons.
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I do not think [poetry] is more, or less, necessary than food, shelter, health, education, decent working conditions. It is as necessary.
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The necessity of poetry has to be stated over and over, but only to those who have reason to fear its power.
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The suppressed lesbian I had been carrying in me since adolescence began to stretch her limbs.
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To seek visions, to dream dreams, is essential, and it is also essential to try new ways of living, to make room for serious experimentation, to respect the effort even where it fails.
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I don’t want to succumb to the idea that for the generation, or generations, raised on television, the text is irrelevant or so intimidating that they won’t deal with it.
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When I talk of taking a trip I mean forever.
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I think my work comes out of both an intense desire for connection and what it means to feel isolated. There’s always going to be a kind of tidal movement back and forth between the two.
ADRIENNE RICH