The marginal, the dependent variables. It lays the foundation for androcentric thinking, and leaves men safe in their solipsistic tunnel-vision.
ADRIENNE RICHThere must be those among whom we can sit down and weep and still be counted as warriors.
More Adrienne Rich Quotes
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The truth of our bodies and our minds has been mystified to us. We therefore have primary obligation to each other: not to undermine each other’s sense of reality for the sake of expediency; not to gaslight each other.
ADRIENNE RICH -
These scars bear witness but whether to repair or to destruction I no longer know.
ADRIENNE RICH -
I think many poets, including myself, write both for the voice and for the page. I certainly write for the person alone in the library, who pulls down a book and it opens to a poem. I am also very conscious of what it means to read these poems aloud.
ADRIENNE RICH -
Love, our subject: we’ve trained it like ivy to our walls.
ADRIENNE RICH -
The mind’s passion is all for singling out. Obscurity has another tale to tell.
ADRIENNE RICH -
You have to be free to play around with the notion that day might be night, love might be hate; nothing can be too sacred for the imagination to turn into its opposite or to call experimentally by another name. For writing is re-naming.
ADRIENNE RICH -
Go back so far there is another language go back far enough the language is no longer personal.
ADRIENNE RICH -
Every poem breaks a silence that had to be overcome.
ADRIENNE RICH -
A revolutionary poem will not tell you who or when to kill, what and when to burn, or even how to theorize. It reminds you… where and when and how you are living and might live, it is a wick of desire.
ADRIENNE RICH -
Whether of love and sexuality or creativity or the sense of connectedness with other beings, human and otherwise?
ADRIENNE RICH -
Most of them, though not all, arewhite and male. But even as American society is unravelling, becoming more violent and punitive, wonderful political poetshave been emerging.
ADRIENNE RICH -
Every real poem is the breaking of an existing silence, and the first question we might ask any poem is, What kind of voice is breaking silence, and what kind of silence is being broken?
ADRIENNE RICH -
It is as though the risks of the poet’s existence can be put to some use beyond her own survival.
ADRIENNE RICH -
In the States, there has been, compared to the Sixties and Seventies, a huge retrenchment – not just in poetry – into the personal.
ADRIENNE RICH -
The liar leads an existence of unutterable loneliness.
ADRIENNE RICH