The impulse to create begins – often terribly and fearfully – in a tunnel of silence.
ADRIENNE RICHA revolutionary poem will not tell you who or when to kill, what and when to burn, or even how to theorize. It reminds you… where and when and how you are living and might live, it is a wick of desire.
More Adrienne Rich Quotes
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The assumption that women are a subgroup, that men’s culture is the ‘real’ world, that patriarchy is equivalent to culture and culture to patriarchy, that the ‘great’ or ‘liberalizing’ periods of history have been the same for women as for men.
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Language is as real, as tangible, in our lives as streets, pipelines, telephone switchboards, microwaves, radioactivity, cloning laboratories, nuclear power stations.
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Experience is always larger than language.
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Every real poem is the breaking of an existing silence, and the first question we might ask any poem is, What kind of voice is breaking silence, and what kind of silence is being broken?
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A life I didn’t choose chose me: even my tools are the wrong ones for what I have to do.
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When men – insofar as they are embodiments of the patriarchal idea – have become dangerous to children and other living things, themselves included
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Heterosexuality has been forcibly and subliminally imposed on women. Yet everywhere women have resisted it, often at the cost of physical torture, imprisonment, psychosurgery, social ostracism, and extreme poverty.
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I am a woman in the prime of my life, with certain powers and those powers severely limited by authorities whose faces I rarely see.
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I think of poetry as something out there in the world and within each of us. I don’t mean that everyone can write poetry – it’s an art, a craft.
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I’d call it love if love didn’t take so many years but lust too is a jewel.
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To seek visions, to dream dreams, is essential, and it is also essential to try new ways of living, to make room for serious experimentation, to respect the effort even where it fails.
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Even where love has run thin the child’s soul musters strength… the rush of purpose to make a life worth living past abandonment building the layers up again over the torn hole.
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I long to create something that can’t be used to keep us passive: I want to write a script about plumbing, how every pipe is joined to every other.
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That a war can be represented as helping a people to ‘feel good’ about themselves, or their country, is a measure of that failure.
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What I discerned in the U.S. was a convergence of poetic voices coming from many different rents in the social fabric, many cultures, many tributaries, which, together, make up the American poetry of the late twentieth century.
ADRIENNE RICH