black
grey
blue
red
brown
white

Even the most angry, even the darkest, even the most grief-stricken, and even the most embittered art has that element somewhere behind it. Because how could you be so despairing, so embittered, if you had not had something you loved that you lost?

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Angry Darkest Embittered Grief Most Stricken

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Marilyn Monroe Paulo Coelho Abraham Lincoln C. S. Lewis Khalil Gibran Charlie Chaplin Gautama Buddha Isaac Newton

Since men are loyal at least to their own world-view, their laws of brotherhood and self-interest.
ADRIENNE RICH

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That primary quality of being which knows itself, its passions, only against an otherness that has to be dehumanized. I grew up in white silence that was utterly obsessional. Race was the theme whatever the topic.
ADRIENNE RICH

Dehumanized Gew Itself Know Obsessional Otherness Passion Primarily Quality Race Silence Topic White
Waiting for children to grow up, or for the birth of a new child, or for menopause.
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Birth Child Children Grow Up Waiting
We must use what we have to invent what we desire.
ADRIENNE RICH

Desire Dream Invent Lose Success Use
Spaces within a line, double colons, slashes, are indications of pause, of breath, of urgency, they are not metrically exact as in a musical notation but they serve (I hope) to make the reader think about the sound of the poem.
ADRIENNE RICH

Breath Colon Double Indication Metrically Musical Notation Pause Slash Sound Space Urgency
The will to change begins in the body, not in the mind.
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Our personalities seem dangerously to blur and overlap with our mother’s; and, in a desperate attempt to know where mother ends and daughter begins, we perform radical surgery.
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All new learning looks at first like chaos.
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Love, our subject: we’ve trained it like ivy to our walls.
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There is no ‘the truth,’ ‘a truth’–truth is not one thing, or even a system. It is an increasing complexity.
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The revolution of a wheel which returns in the end to the same place; the revolving door of a politics which has liberated women only to use them, and only within the limits of male tolerance.
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Poetry can add its grain to an accumulation of consciousness against the idea that there is no alternative – that we’re just in the great flow of capitalism and it can never be any different – that this is human destiny, this is human nature.
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A knowledge that is subliminal, subversive, preverbal: the knowledge flowing between two alike bodies, one of which has spent nine months inside the other.
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The suppressed lesbian I had been carrying in me since adolescence began to stretch her limbs.
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“Support” groups for every kind of human condition, where, in the clichés of that milieu, people “share” and “heal,” the question, “What for?”, “What now?” is no longer asked.
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Asked Clinch Condition Group Heal Human Kind Longer Milieu Support
The kind of poetry that interests me is intellectual and moral and political and sexual and sensual – all of that fermenting together.
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