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In the States, there has been, compared to the Sixties and Seventies, a huge retrenchment – not just in poetry – into the personal.

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Go back so far there is another language go back far enough the language is no longer personal.
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Show us to ourselves when we are outlawed or made invisible, remind us of beauty where no beauty seems possible, remind us of kinship where all is represented as separation.
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If the imagination is to transcend and transform experience it has to question, to challenge, to conceive of alternatives, perhaps to the very life you are living at the moment.
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It is as though the risks of the poet’s existence can be put to some use beyond her own survival.
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I guess what concerns me always is the need for a field, a rich compost, for any art to flourish. But however isolate or unheard you may feel, if you have the need to write poetry, are compelled to write it, you go on, whether there is resonance or not.
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We’ve learned a lot from the great psychologists. Wilhelm Reich wrote about the relationship between fascism and sexual repression.
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One of the great functions of art is to help us imagine what it is like to be not ourselves, what it is like to be someone or something else.
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It is important to do this because we can count on so few people to go that hard way with us.
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