Lies are usually attempts to make everything simpler – for the liar – than it really is, or ought to be.
ADRIENNE RICHWhite hate crimes, white hate speech. I still try to claim I wasn’t brought up to hate. But hate isn’t the half of it. I grew up in the vast encircling presumption of whiteness.
More Adrienne Rich Quotes
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“Support” groups for every kind of human condition, where, in the clichés of that milieu, people “share” and “heal,” the question, “What for?”, “What now?” is no longer asked.
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Sexist grammar burns into the brains of little girls and young women a message that the male is the norm, the standard, the central figure beside which we are all deviants.
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When we look closely, or when we become weavers, we learn of the tiny multiple threads unseen in the overall pattern, the knots on the underside of the carpet
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I’ve had to guess at her, sewing her skin together as I sew mine, though with a different stitch
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One line typed twenty years ago can be blazed on a wall in spraypaint to glorify art as detachment or torture of those we did not love but also did not want to kill.
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I cannot speak for you. Two thoughts: there is no liberation that only knows how to say ‘I’; there is no collective movement that speaks for each of us all the way through.
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The so-called multiple-choice examination sheet with the number 2 pencil to mark one choice and one choice only?
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I keep coming back to you in my head, but you couldn’t know that, and I have no carbons.
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The necessity of poetry has to be stated over and over, but only to those who have reason to fear its power.
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Probably there is nothing in human nature more resonant with charges than the flow of energy between two biologically alike bodies, one of which has lain in amniotic bliss inside the other, one of which has labored to give birth to the other.
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Since men are loyal at least to their own world-view, their laws of brotherhood and self-interest.
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It is not really about them though it targets them as consumers.
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A president cannot meaningfully honor certain token artists while the people at large are so dishonored.’”
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The serious revolutionary, like the serious artist, can’t afford to lead a sentimental or self-deceiving life.
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We see daily that our lives are terrible and little, without continuity, buyable and salable at any moment, mere blips on a screen, that this is the way we live now. Memory marketed as nostalgia; terror reduced to mere suspense, to melodrama.
ADRIENNE RICH