If you think you can grasp me, think again: my story flows in more than one direction, a delta springing from the river bed with its five fingers spread.
ADRIENNE RICHRe-vision — the act of looking back, of seeing with fresh eyes, of entering an old text from a new critical direction – is for women more than a chapter in cultural history: it is an act of survival.
More Adrienne Rich Quotes
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I define “politics” as the on-going collective struggle for liberation and for the power to create – not only works of art, but also just and nonviolent social institutions.
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Motherhood is the great mesh in which all human relations are entangled, in which lurk our most elemental assumptions about love and power.
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There is, clearly, both enormous hunger for the work thus being diffused, and an explosion of creative energy, bursting through the coercive choicelessness of the system on whose boundaries we are working.
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I believe that words can help us move or keep us paralyzed, and that our choices of language and verbal tone have something – a great deal – to do with how we live our lives.
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A life I didn’t choose chose me: even my tools are the wrong ones for what I have to do.
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When we look closely, or when we become weavers, we learn of the tiny multiple threads unseen in the overall pattern, the knots on the underside of the carpet
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Practicing till strengthand accuracy became one with the daringto leap into transcendence, take the chance of breaking down in the wild arpeggioor faulting the full sentence of the fugue.
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In a society where some people are far more educated than others, in which public education is ill-funded – here I am speaking of the U.S. – while we build more and more prisons to incarcerate youth who ought to be in school.
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You have to be free to play around with the notion that day might be night, love might be hate; nothing can be too sacred for the imagination to turn into its opposite or to call experimentally by another name. For writing is re-naming.
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There is the falsely mystical view of art that assumes a kind of supernatural inspiration, a possession by universal forces unrelated to questions of power and privilege or the artist’s relation to bread and blood. In this view.
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To write as if your life depended on it; to write across the chalkboard, putting up there in public the words you have dredged; sieved up in dreams, from behind screen memories, out of silence– words you have dreaded and needed in order to know you exist.
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Abortion is violence; a deep, desperate violence inflicted by a woman upon, first of all, herself.
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That a war can be represented as helping a people to ‘feel good’ about themselves, or their country, is a measure of that failure.
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The marginal, the dependent variables. It lays the foundation for androcentric thinking, and leaves men safe in their solipsistic tunnel-vision.
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Each feminist work has tended to be received as if it emerged from nowhere; as if each one of us had lived, thought, and worked without any historical past or contextual present.
ADRIENNE RICH