What we see, we see and seeing is changing
ADRIENNE RICHThe unconscious wants truth, as the body does. The complexity and fecundity of dreams come from the complexity and fecundity of the unconscious struggling to fulfill that desire. The complexity and fecundity of poetry come from the same struggle.
More Adrienne Rich Quotes
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Poetry has always mattered, through human history, through all kinds of cultures, all kinds of violence and human desolation, as well as periods of great human affirmation.
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The moment when a feeling enters the body/ is political. This touch is political
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Women’s Studies can amount simply to compensatory history; too often they fail to challenge the intellectual and political structures that must be challenged if women as a group are ever to come into collective, nonexclusionary freedom.
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Even the most angry, even the darkest, even the most grief-stricken, and even the most embittered art has that element somewhere behind it. Because how could you be so despairing, so embittered, if you had not had something you loved that you lost?
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Abortion is violence; a deep, desperate violence inflicted by a woman upon, first of all, herself.
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The marginal, the dependent variables. It lays the foundation for androcentric thinking, and leaves men safe in their solipsistic tunnel-vision.
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You must write, and read, as if your life depended on it.
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Since we’re not young, weeks have to do time for years of missing each other.Yet only this odd warp in time tells me we’re not young.
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The serious revolutionary, like the serious artist, can’t afford to lead a sentimental or self-deceiving life.
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It is important to do this because it breaks down human self-delusion and isolation. It is important to do this because in doing so we do justice to our own complexity.
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And that we can deflect words by trivialization, of course, but also by ritualized respect, or we can let them enter our souls and mix with the juices of our minds.
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What would it mean to live in a city whose people were changing each other’s despair into hope?– You yourself must change it.
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We have seen over and over that white male historians in general have tended to dismiss any history they didn’t themselves write,on the grounds that it is unserious, unscholarly, a fad, too “political,” “merely” oral and thus unreliable.
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There is no ‘the truth’,’a truth’ – truth is not one thing, or even a system. It is an increasing complexity. the pattern of the carpet is a surface.
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Re-vision — the act of looking back, of seeing with fresh eyes, of entering an old text from a new critical direction – is for women more than a chapter in cultural history: it is an act of survival.
ADRIENNE RICH