It is unstable and threatening as the earth is not; it spawns new life daily, yet swallows up lives; it is changeable like the moon, unregulated, yet indestructible and eternal.
ADRIENNE RICHLying is done with words and also with silence.
More Adrienne Rich Quotes
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Language is as real, as tangible, in our lives as streets, pipelines, telephone switchboards, microwaves, radioactivity, cloning laboratories, nuclear power stations.
ADRIENNE RICH -
The marriage-resisting women silk workers of pre-Revolutionary China, the millions of widows, midwives, and the women healers tortured and burned as witches for three centuries in Europe.
ADRIENNE RICH -
Even the most angry, even the darkest, even the most grief-stricken, and even the most embittered art has that element somewhere behind it. Because how could you be so despairing, so embittered, if you had not had something you loved that you lost?
ADRIENNE RICH -
There is no ‘the truth,’ ‘a truth’–truth is not one thing, or even a system. It is an increasing complexity.
ADRIENNE RICH -
The repossession by women of our bodies will bring far more essential change to human society than the seizing of the means of production by workers.
ADRIENNE RICH -
The vixen I met at twilight on Route 5 south of Willoughby: long dead. She was an omen to me, surviving, herding her cubs in the silvery bend of the road in nineteen sixty-five.
ADRIENNE RICH -
This is one of the ways in which women’s work and thinking has been made to seem sporadic, errant, orphaned of any tradition of its own.
ADRIENNE RICH -
It iscrucial that we understand lesbian/feminism in the deepest, most radical sense: as that love for ourselves and other women, that commitment to the freedom of all of us, which transcends the category of “sexual preference” and the issue of civil rights.
ADRIENNE RICH -
“Support” groups for every kind of human condition, where, in the clichés of that milieu, people “share” and “heal,” the question, “What for?”, “What now?” is no longer asked.
ADRIENNE RICH -
In 1945, just at the end of World War II, the American poet Muriel Rukeyser wrote a remarkable book called The Life of Poetry. In it she says that on any particular day in the world.
ADRIENNE RICH -
It is not really about them though it targets them as consumers.
ADRIENNE RICH -
The [Vietnam War Memorial] Wall became a magnet for citizens of every generation, class, race, and relationship to the war perhaps because it is the only great public monument that allows the anesthetized holes in the heart to fill with a truly national grief.
ADRIENNE RICH -
I guess what concerns me always is the need for a field, a rich compost, for any art to flourish. But however isolate or unheard you may feel, if you have the need to write poetry, are compelled to write it, you go on, whether there is resonance or not.
ADRIENNE RICH -
I’ve known great happiness in my life along with great darkness, and a question that has repeatedly entered my poetry has been, how do we use the direct experience of happiness that may be given us.
ADRIENNE RICH -
In this disintegrative, technologically-manic time, when public language is so debased, poetry continues to matter because it’s the art that reintegrates words, speech, voice, breath, music, bodily tempo, and the powers of the imagination.
ADRIENNE RICH