Poetry can open locked chambers of possibiity, restore numbed zones to feeling, recharge desire.
ADRIENNE RICHOne line typed twenty years ago can be blazed on a wall in spraypaint to glorify art as detachment or torture of those we did not love but also did not want to kill.
More Adrienne Rich Quotes
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If, as women, we accept a philosophy of history that asserts that women are by definition assimilated into the male universal,that we can understand our past through a male lens.
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The ocean, whose tides respond, like women’s menses, to the pull of the moon, the ocean which corresponds to the amniotic fluid in which human life begins.
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Nothing could have prepared me for the realization that I was a mother … when I knew I was still in a state of uncreation myself.
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and I ask myself and you, which of our visions will claim us which will we claim how will we go on living how will we touch, what will we know what will we say to each other.
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I am a woman in the prime of my life, with certain powers and those powers severely limited by authorities whose faces I rarely see.
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We lose touch with parts of ourselves defined as unacceptable by that consciousness; with the vital toughness and visionary strength of the angry grandmothers, the fierce market women of the Ibo’s Women’s War.
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I think about the possibilities for empathy, for mutual solidarity among gay men and lesbians, not simply as people who suffer under homophobia, but as people who are also extremely creative, active, and have a particular understanding of the human condition.
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Every journey into the past is complicated by delusions, false memories, false namings of real events.
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Whether of love and sexuality or creativity or the sense of connectedness with other beings, human and otherwise?
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I feel more helpless with you than without you.
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Motherhood is the great mesh in which all human relations are entangled, in which lurk our most elemental assumptions about love and power.
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We have seen over and over that white male historians in general have tended to dismiss any history they didn’t themselves write,on the grounds that it is unserious, unscholarly, a fad, too “political,” “merely” oral and thus unreliable.
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Every real poem is the breaking of an existing silence, and the first question we might ask any poem is, What kind of voice is breaking silence, and what kind of silence is being broken?
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When someone with the authority of a teacher, say, describes the world and you are not in it, there is a moment of psychic disequilibrium, as if you looked into a mirror and saw nothing. Yet you know you exist and others like you, that this is a game with mirrors.
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The [Vietnam War Memorial] Wall became a magnet for citizens of every generation, class, race, and relationship to the war perhaps because it is the only great public monument that allows the anesthetized holes in the heart to fill with a truly national grief.
ADRIENNE RICH